This website uses cookies to ensure you have the best experience. Learn more

A Clockwork Orange Essay: A Movie Analysis

1724 words - 7 pages

A Clockwork Orange A Movie Analysis   

  In 1962, Anthony Burgess' novel A Clockwork Orange was published for the first time. This novel was an anti-utopian fable about the near future, where teenage gangs habitually terrorize the inhabitants of a shabby metropolis. The novel deals with the main focus that man is a sinner but not sufficiently a sinner to deserve the calamities that are heaped upon him. It is a comic novel about a man's tragic lot. (Bergonzi 152).

     In 1971, Stanley Kubrick turned Burgess' novel into a 136 minute, color motion picture produced by Warner Brothers. The movie starred Malcolm McDowell as the young gangster guilty of rape and murder. Kubrick was both writer and director.

     Stanley Kubrick was born July 26, 1928 in the Bronx, New York. He is an accomplished director with other ground breaking movies under his belt, such as The Shining, Paths of Glory, and 2001 A Space Odyssey. His films have one common theme- the dehumanization of mankind. He is also known for his symmetric image composition and long "zooming out" and/or "zooming in" sequences. Kubrick constructs three-way conflicts and utilizes the techinique of extreme close-ups of intensely emotional faces. An interesting note is that Kubrick often uses the number 114 in his movies. In Clockwork Orange, Alex is given "Serum 114" when he undergoes Ludovico treatment. (Internet Movie Database 1) Some critics claim that it is due to the brilliance of Kubrick that Clockwork Orange was so successful. In his book The Science Fiction and Fantasy Handbook, Alan Frank writes, "Had the movie been the work of a lesser film maker, it is unlikely that it would have had the reception it received; as it is, [Kubrick's] brutalization of Burgess' book has been taken for art rather then for its very strong exploitative elements which savour of a gloating admiration for the very violence it professes to deprecate."

     Kubrick's "perceptive dark satire about the future" (Cineman Syndicate 1) follows the same basic outline as Burgess' novel. The only difference is that due to time constraints, the film leaves out a few minor scenes of the droogs (Burgess' term for ruffians) committing acts of violence. The film is divided into three parts, as is the novel. The first part is the description of Alex's exploits in "ultraviolence." He and his fellow gang members (droogs) spend their time committing a series of rapes, robberies, and assaults, usually aimed at completely defenseless people. The attacks are pathological and random. The second part of the film is filled with a different sort of brutality. Alex is in prison, but still continues his violent ways. The authorities preach obedience, but Alex and the other inmates respond by attacking one another. Alex is sentenced to a new form of psychological treatment that transforms him into a parody of the perfect Christian. He behaves morally and follows the values that were forced upon him by the State. He has no...

Find Another Essay On A Clockwork Orange Essay: A Movie Analysis

Book Analysis of A Clockwork Orange

741 words - 3 pages Book Analysis of A Clockwork Orange The violent main character of this story, Alex, goes on a moral journey. It is written as a personal recounting of events in a very straight-to-the-point manner. Alex seems to describe things very well, but without emotion. He starts off drinking milk laced with drugs in a milk bar with his three “droogs”. The fashion of the time is for adolescents to do whatever they want, as careless adults are usually

A clockwork orange Essay

722 words - 3 pages Kubrick’s A Clockwork Orange”. Even from the poster, which was the first contact the viewer had with the film, Kubrick wants to leave the feeling that something fitting the pattern of normality, something just doesn’t fit. The way the movie is presented even from the poster is due to A Clockwork Orange being a film dealing extensively with the cultural decadence of society, specifically with the idea of the ultra-violent persons that arise from

A Clockwork Orange

611 words - 2 pages A Clockwork Orange      To leave out the final chapter of A Clockwork Orange is to change the entire meaning of the novel; as Burgess says in the introduction, his story is transformed into a fable. Without the last chapter the reader is left with a dark and pessimistic theme, that absolute good and evil exist in this world and it is possible for a man to be pure evil. Alex is conditioned and unconditioned, and in the

A Clockwork Orange

920 words - 4 pages situation. His lack of reality is clear when he states while watching a conditioning movie involving violence, "It's funny how the colors of the real world only seem real when you viddy (slang for see) them on the screen."      It is the story of an anti-hero that you’re rooting for but you’re not sure why. saources: A clockwork orange and spark notes

A Clockwork Orange

2636 words - 11 pages The new American edition of the novel A Clockwork Orange features a final chapter that was omitted from the original American edition against the author's preference. Anthony Burgess, the novel's author, provided for the new edition an introduction to explain not only the significance of the twenty-first chapter but also the purpose of the entire book which was the fundamental importance of moral choice. Burgess states that the twenty-first

A Clockwork Orange

1672 words - 7 pages I. A Clockwork Orange II. Anthony Burgess III. Science-fiction IV. A Clockwork Orange was published in the 60's and was written futuristically to predict a time probably between 1995 and 2000. In retrospect you could say it's set in a present day metropolis. Anthony Burgess the author of this book is a well known writer and best known for this book as well as, The Doctor Is Sick, Honey for the Bears, Nothing like the Sun, Re Joyce, and

A Clockwork Orange

1383 words - 6 pages 1. Alexander, Geoffrey. "The Kubrick Site: The Hechinger Debacle." The Kubrick Site: The Hechinger Debacle. Visual memory, n.d. Web. 09 Dec. 2013. 2. Bozzola, Lucia. "A Clockwork Orange (1971): Movie Info." RottenTomatoes.com. Rotten Tomatoes, n.d. Web. 08 Dec. 2013. 3. Naremore, James, and Andre Bazin. Film Adaptation. New Brunswick, NJ: Rutgers UP, 2000. Print. 4. Ebert, Roger. "A Clockwork Orange." RogerEbert.com. Roger Ebert, 11 Feb

A Clockwork Orange - 1687 words

1687 words - 7 pages  Clockwork Orange There have been many books published solely on philosophy, and many more than that solely written about human nature, but very infrequently will a book be published that weaves these fields together as well as A Clockwork Orange, by Anthony Burgess.  In this Book Burgess speculated on the fact “the significance of maturing by choice is to gain moral values and freedoms.”  He achieved this task by pushing his

A Clockwork Orange - 840 words

840 words - 3 pages defeated.    This strangely clad gang carouses the streets, speaking their strange form of slang and inciting terror on the night streets.  They are willing to do anything for that adrenal rush, from stealing and pick pocketing, to raping the defenseless.         Throughout the beginning section of the book, Anthony Burgess shows that A Clockwork Orange will be an adventuresome and

A clockwork orange

1261 words - 5 pages A Clockwork OrangeThe Monk:A Rebellious Offspring of the Age of ReasonUnderstanding the Gothic novel can be accomplished by obtaining a familiarity of the Augustan point of view, which helps to develop a reference point for comparing and contrasting the origin of Gothic literature. The thinking that was being questioned by the Gothic novel was Augustanism; and without some understanding of Augustan principles and their role in eighteenth-century

A Clockwork Orange A Clockwork Orange, written by Anthony Burgess,

798 words - 3 pages A Clockwork OrangeA Clockwork Orange, written by Anthony Burgess, is a book designed to instigate much further thought and analization than what is needed by just reading the book itself. It?s controversial topics stick with the reader throughout his or her whole day. There are three main things that made this book more thought provoking than most others: the ?slang? used, the detail given about the many different events that took place, and the

Similar Essays

A Clockwork Orange Essay: Existentialist Analysis

1529 words - 6 pages Existentialist Analysis of Burgess' A Clockwork Orange      Freedom and liberalism are catchwords that appear frequently in both philosophical and political rhetoric. A free man is able to choose his actions and his value system, to express his views and to develop his most authentic character. What this kind of idealistic liberalism seems to forget, however, is that liberty does not mean a better society, better life or humanistic values

Analysis Of A Clockwork Orange

2528 words - 10 pages Analysis and Interpretation of A Clockwork Orange A Clockwork Orange, by Anthony Burgess, is one of the most experimental, original, and controversial novels of the twentieth century. It is both a compelling work of literature and an in-depth study in linguistics. The novel is a satirical, frightening science fiction piece, not unlike others of this century such as George Orwell's Nineteen Eighty-Four or Aldous Huxley's Brave New World

A Clockwork Orange Essay: Blindness In A Clockwork Orange

975 words - 4 pages Blindness in A Clockwork Orange In the novel, A Clockwork Orange, Anthony Burgess has tried to show the importance of individual freedom over doing the right thing. He has taken an extreme example of violence and perverse acts to accent his strong belief. It is my opinion that Burgess has been blinded to some essential truths in his quest to ensure personal freedom. Personal freedom can be described as acting upon your own accord and not

A Cult Film Analysis (A Clockwork Orange)

1010 words - 4 pages A Cult Film Analysis (A Clockwork Orange)A cult film, which is also referred to as a cult classic has a limited but special appeal to a specific fan base. Cult films are usually strange, quirky, offbeat, eccentric, oddball, or surreal, with outrageous, weird, unique and cartoony characters or plots, and garish sets. A cult film is often considered controversial, as the standard narrative and technical conventions are often ignored, and are often