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A Presentation On D.H.Lawrence's "Women In Love"

2241 words - 9 pages

David Herbert Lawrence was born on September 11, 1885 at Eastwood in Nottinghamshire, the son of a coalminer and a teacher. Encouraging him academically, his mother actively tried to help him escape the working class that he had been born into. After a period of employment in a surgical goods factory, he won a scholarship to University College, Nottingham where he worked to get a teacher’s certificate. He later married his professor’s wife, Frieda and spent most of his life moving around Europe with her.Sequel to his earlier book, The Rainbow, Women in Love is widely considered Lawrence’s best novel, although its publication in 1920 was received with widespread criticism and fury. A successful call for censorship accompanied its publication. Critics called for the book to be banned due to its ‘study of sexual depravity, misleading youth to unspeakable disaster’. One review, entitled ‘A BOOK THE POLICE SHOULD BAN’ claims that Women in Love is ‘an epic of vice’ , ‘ugly, repellent, vile’. This same critic writes cuttingly in the review that:‘as a study of certain loathsome forms of mental disease it is thorough and painstaking, and I am sure Mr Lawrence does not deserve some form of special recognition from the Royal College of Physicians. Most of his characters are obviously mad. They do and say the sort of things for which living people are shut up in lunatic asylums.’This is hardly the sort of response Lawrence desired, but it was the sexual content included; both heterosexual and homosexual as well as the exposure of what Lawrence believed to be a corrupt society that triggered the public outrage against him. - Lawrence actually died in 1930, and didn’t live to see the uncensored edition published – I think I read somewhere that it wasn’t until 1982 that a completely uncensored edition came out?Women in Love is a difficult book to read, quite tedious and lacks structure and form. Even the plot is not very interesting. Lawrence uses his characters, particularly in the first few chapters it seemed, merely as a means to convey his own philosophical discussions and thoughts. But as it goes on, the characters do become more appealing and start to take shape. Lawrence’s clear disenchantment with society is portrayed through the characters, and Rupert Birkin has been described as a thinly disguised projection of Lawrence himself. From the start, a sense of alienation is given through the sisters, Ursula and Gudrun, from the society they live in. Gudrun especially despises the countryside she has come home to, from Bohemian London, criticising the narrowmindedness and poverty. She describes the ugliness of the place and its crudeness with a particularly strong loathing and seems especially afraid of static family life. Both her and Ursula state in the first chapter their unwillingness to marry. All four main characters willingly reject static, conventional married life....

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