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The Influence Of The Black Arts Movement

1827 words - 8 pages

The Black Arts Movement proved to be a very pivotal, and much needed moment in African-American literature to disrupt a past tradition of humble, prim, “decorous ambassadors” African-American novelist have been categorized as (Wright 1403). During the movement a shift occurred in the perspectives and understanding of African-American novelists and poets. The conscience of the those in literature seemed to have been awakened as they became aware of their social responsibility and influence in the African-American community. The range of the views held by those of the Black Arts Movement varied significantly from the social function of African-American art to a more narrow perspective of what it means to be a black individual and or writer. A great deal of the work created at this time was very opinionated and designed to empower and uplift African-Americans. The movement holds a tremendous effect and influence on writers that have come in the later part of the on-going insurgence. The themes, concepts, and social questions that the Black Arts Movement artists had influenced a new generation of writers who extended and related to the Black Aesthetic in more contemporary times.
Conscientious novelists now write with the purpose to communicate the definition of blackness and the variety of the “Black Experience” correlating with writers of the movement. Natasha Tretheway‘s poem “Help 1968” is one that was subsequently influenced by the logic and perspectives of the movement. Artist and works of the Black Arts Movement made a significant impact on not only the American literary world, but future African-Americans and African-American writers. The early Black Arts Movement artist created a sudden shift within literature, deviating from the literary mainstream. Without the generous efforts of the Black arts Movement artists, contemporary novelists of the later part of the rebellion, like Natasha Tretheway, might not have found the necessity of their voices within the literary and social community. In the examination of Amiri Baraka’s “The Revolutionary Theatre” key motives and intentions of the movement are expressed and explained in great detail; illustrating a forceful shift and abandonment of purposeless works and tasteful demands from White America.
Amiri Baraka gives the African-America community intricate instructions in pursuing the Black Arts Movement. He calls for exposure of White America's misdeeds, and also to accuse and attack anything that can be accused and attacked (1960-61). Interpretation of Baraka's call for a forceful change is for White America to understand the diversity of the Black Experience, and the shift for new writers to break into new forms of argumentative and purposeful writing. Baraka has distinguished his writings to be forceful, commanding, and naïve in some senses. In “The Revolutionary Theatre” he demands to his audience to kill and capture, but his logic is questioned when he tells that the theatre is for the...

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