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A Structural Comparison Of Petrarchan And Shakespearean Sonnets

674 words - 3 pages

Shakespeare and Petrarch are two poets popular for their contribution on the issue of love. While they both tackle the subject of their work though sonnet, there are key contrasts in their style and structure, and in addition, in the way they approach their subjects. Moreover, it is clear that in “Sonnet 130,” Shakespeare really parodies Petrarch’s style and thoughts as his storyteller depicts his mistress whose “eyes are in no way as the sun” (Shakespeare 3:106). Shakespeare seems, by all accounts, to expound the analogy and exaggerated correlation discovered in Petrarch’s piece by giving an English poem portraying the precise un-goddess nature of this dim special woman. On the other hand, Petrarch’s work is full of symbolism. As might be seen in “Sonnet 292” from Canzoniere, the noteworthy utilization of similitude and the romanticizing of Petrarch’s female subject are normal for the Petrarchan work. The leading major contrast between the two poems is the piece structure utilized (Petrarch 31).
Petrarch’s “Sonnet 292” is composed in the Italian 14-line poem structure comprising an eight-line octave. It also contains a six-line sestet. The fundamental characteristics for the Petrarchan poem structure is the two-part structure. To attain this, the eight-line octave is divided into two four-line stanzas. In addition, the sestet is divided into 2 three-line stanzas. This structure takes into account improvement of two parts of the subject, expanding the point of view of the piece. While some rhyme plot remains after the interpretation of the lyric from Italian, it does not provide the correct representation of the definitive complexity of Petrarch’s work that was indispensable to putting across his message in the sonnet. The Shakespearean poem comprises of a three-quatrain contention emulated by a two-line couplet determination. The type of the English piece takes into account the improvement of three points of view on the subject through the contention, emulated by the determination, which offers either a certification or test of the former...

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