Generally, crime and law enforcement television programs have been tremendously popular, with constantly elevated ratings over time. More than a quarter of all prime time shows from the 1960s to the 1990s have centred on subjects of crime or criminal justice, which comprise the biggest single subject matter on television today, across all types of programming (Weigel and Jessor, 1999). Drawing on Carlson's (2001) review of the literature, we observe that these studies have characteristically enclosed five main interconnected areas: knowledge of and information on the system, compliance, rights, police images, and violence and victimization. Every substantive part listed above can offer guidance in expanding a complete research program centring on television imagery and public insights of the criminal justice system.
As realized, the criminal justice system has been utilized as entertainment for a while. It all started with ‘America’s most wanted ' that once featured John Walsh in search of lost children and renegades from justice. The program merged accurate details with a theatrical description of the crime in question. Not merely was the program educational, but it was enjoyable as well. In 1989, entertainment aspect of Criminal justice as continued with the debut of ``COPS, a program that pursued police officers throughout their shift and exhibited how they hunted down wrongdoers, pursued them if needed and apprehended them. At present, there are numerous fact-oriented shows on the TV, and each describes a different aspect of the criminal justice system.
One example focused on this paper is American Justice. The program ``American Justice ' entails outrageous crimes, as perceived through police process, the court procedure, and via an outline of the perpetrators. While the program demonstrates a thespian view of the criminal justice system, it exhibits a precise explanation of how the police force and the courts set off from an unexplained crime to a conviction. In one episode titled ‘Thrill Killers”, two individuals, Joshua Ford and Genie Crutchley, went missing from their beachside hotel room. Other two suspects Benjamin and Erica Sifrit, described as a young married couple, were apprehended on charges of burglary when they allegedly endeavoured to rob a Hooter’s souvenir shop. Discovered among their ownerships were Ford and Crutchley’s wallets and other unique pieces. Ahead of investigating the Sifrit’s correlation to the duo’s vanishing, police determined that the Sifrits had executed them prior to maiming their bodies and discarding them in a trash dumpster. There was no solid grounds following the murders therefore it was purely a thrill killing on the section of the Sifrits, a consequence of an increasing blueprint of wild and precarious behaviour. Benjamin Sifrit was sentenced on second-degree murder for Crutchley’s murder, however was not sentenced on Ford’s murder. His partner, Erica Sifrit, was awarded the...