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Analysis Of The Film Good Will Hunting

2244 words - 9 pages

Good Will Hunting is the graceful tale of a young gentleman’s struggle to find out where he belongs in the world, by first finding out who he himself is. In this film, Matt Damon takes on the role of a disturbed genius that has a keen understanding of the deepness of human character. The film is a voyage through the mind of Will Hunting as he is required to undergo psychotherapy as an alternative to serving jail time. With the assistance of a psychologist, played by Robin Williams, Will learns about himself and recognizes his individual worth in the world by comprehending what is most important to him in his own life. This motion picture serves as a source of superb example for film technique. Gus Van Sant’s directing ability joined with the writing skills of Matt Damon and Ben Affleck, who also plays Will’s best buddy, Chuckie, is a vibrant mixture of technical features used to induce sentiment and compassion amongst the viewers of this heart-warming film. Characteristics of the color, angles, shots, camera movement, editing, and distortions are all each particularly noteworthy to the general composition of Van Sant’s Good Will Hunting.
To begin, the colors used provide visual indication to inform viewers of the objective of the director and cinematographer (Goodykoontz & Jacobs, 2011). Throughout the majority of the film, very natural colors are used. Van Sant’s use of warm tawny tones is a creative way to create a sense of humanity and forms a strong feeling of understanding for Will. Whenever Will is in a situation he feels secure and relaxed, the hues are very affectionate and welcoming. For example, when he is in Skylar’s (Minnie Driver) room at Harvard, in Sean’s (Robin Williams) office, or in his own residence, the prevailing shade is amber, a yellowish-brown tone (Van Sant & Bender, 1997). This generates a great sense of warmth and the viewer understands at these times that Will is completely himself, comfortable and at ease. He is not wearing any masks because he feels protected in these situations. In the times where Will is in a position where he is hiding inside himself, or he doesn’t have that sense of security, Van Sant does a very obvious color change to more colder hues, such as blue and white. This use of color builds a feeling of manipulation and unease, being distant and unfriendly. One such example is Will’s first encounter with Sean, the psychologist. He is staring at a work of art that is suspended on the window and as he is looking at it, he is examining its artistic worth and Sean’s life (Van Sant & Bender, 1997). The nearer he gets to the image, the more frigid the light gets until the conclusion of the monologue when he is directly facing it and the sunlight produces an impression that is quite comparable to an overexposed photograph, which causes Will to look especially bizarre, and terrifying. In this big moment, there is an entire change in mood within one shot. The frigidness of the shot forms a sense of...

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