Analysis Of The Short Story " The Diamond Necklace"

687 words - 3 pages

 "The Necklace" or "The Diamond Necklace" is a short story by Guy De Maupassant, first published on 17th, February 1884, in the French newspaper Le Gaulois. The story has become one of Maupassant's popular works and is well known for its ending. It is also the inspiration for Henry James's short story, "Paste". It has been dramatised as a musical by the Irish composer Conor Mitchell; it was first produced professionally by Thomas Hopkins and Andrew Jenkins for Surefire Theatrical Ltd at the Edinburgh Festival in 2007.

She was one of those pretty and charming girls born, as though fate had blundered over her, into a family of artisans. She had no marriage portion, no expectations, no means of getting known, understood, loved, and wedded by a man of wealth and distinction; and she let herself be married off to a little clerk in the Ministry of Education. Her tastes were simple because she had never been able to afford any other, but she was as unhappy as though she had married beneath her; for women have no caste or class, their beauty, grace, and charm serving them for birth or family, their natural delicacy, their instinctive elegance, their nimbleness of wit, are their only mark of rank, and put the slum girl on a level with the highest lady in the land.

In the story the necklace symbolizes jealousy. In the story she constantly wants to be rich and famous but all she does is live a simple life that isn’t good enough for her. All she cares about is being rich and living an extravagant life she doesn’t have. Throughout the story when she loses the necklace she starts panicking and realizing she must buy another. There is lots of irony in this story because she doesn’t really appreciate anything she has. An example would be how Madame has plenty of food but constantly yearns to have deluxe and extravagant meals.

She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn...

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