In the short story “Araby” by James Joyce, a young adolescent boy becomes infatuated with his friends sister. An extravagant bazaar comes to town and the adolescent begins to look at the bazaar through a telescope reflecting the idea of romance. Joyce manages to tell a story of filled with innocence and self discovery through intricate detail, imagery, tone, and setting depicting emotional occurrences within the youth from beginning to end. “Araby” is the story of young love not flourishing as the heart would wish it too rather it is naïve and impossible. It is an overpowering experience that awakens the speaker out of his haze. The story in all actuality is more than that though; it is the story of a bittersweet memory painted vividly through specific decorum chosen to illuminate the experience of first love, step by step.
By writing the story in first person point of view, James Joyce lets the reader in on the speakers’ innermost thoughts through a limited omniscient point of view. This is pivotal to the story and the readers understanding of the story because the tone and mood of the speaker comes off clearer and becomes more relatable. As the young boy experiences his first major crush, his complete oblivion to what is going to be realized later on comes off as endearing and innocent to readers. Though the speaker is very innocent and can not see beyond his dreams and into reality of the situation, being that his feelings are quite common and insignificant, what he feels is real.
The boy tends to magnify every little detail intricately and though he may have unrealistic wishes and desires he still gains great satisfaction out of them. Joyce writes of the seemingly unimportant details within the story that truly are more significant than one might think. For example, when the boy in "Araby" speaks to his crush about attending the five day bazaar in town he watches her mess with a bracelet on her arm taking in every move she makes. He only wants to bring her happiness and joy much like she does for him without even realizing it. The speaker is wrapped up in his first adolescent crush unaware of loss and despair. Childhood love is as simple. There are no extra questions or worries to ponder. There is nothing extra to delve into and define. It is what it is, innocent and unguarded. At this point in the text Joyce writes in a tone which conveys gay and optimistic nostalgia to the speakers earlier days in life.
One thing to note is the transition the story takes. Within the course of the entire story, as the speaker becomes more romantic with his thoughts and feelings, a more accurate image is painted; it is more defined and evident. James Joyce chooses diction with ironic and symbolic...