Australian Landscape And Identity Essay

1922 words - 8 pages

australian landscape and identity - question 3 - framesThe works of Claude-Oscar Monet and the group of Heidelberg painters , in particular that of Australian artist Fredrick McCubbin , though decades apart , do not differ incredibly dramatically from each other and share a lot of similarities . This can be seen specifically through study of the structural , cultural , postmodern , and subjective frames in both Monet's `the Floating Studio` ( c. 1874 ) and McCubbin's `Princes Bridge` ( c. 1904 ) .Aspects of each artwork such as paint application , materials , subject , and technique all contribute to the structural similarity of the works coming from the Impressionist and Heidelberg movements . Right on the surface of Monet's work we see the thick application of the oil paints create physical contours and textures built up on the canvas . Through manipulation of the media Monet has managed to layer the paint in such a way that achieves an illusion of motion and ripples in the water . McCubbin also seems to have taken inspiration from this technique through a similar use of the oil paints . He creates qualities of luminosity and depth reflecting off the water under the bridge in his work .Another commonality between these works is that each were painted outside the restrictions and confinements of a studio environment , the technique of `plein air painting` was one introduced to the art world by Monet and other associated artists in the impressionist period . By doing this the artist achieve a work that is painted not merely of "the persistent surface appearance of natural objects" - History of Modern Art , for this creates an equally flat picture , but to rather capture "the never-endingaustralian landscape and identity - question 3 - frames- cooper hay - year 11 -metamorphosis of sunlight and shadow , reflections on water , and patterns of clouds moving across the sky" through painting the "constantly changing scene caught by a constantly moving eye" - History of Modern Art .The all-round simplification of forms also seen in these two works was unique to the impressionist period , especially the work of Monet and elements of this are also found in McCubbin's work too . This technique of blocking and using heavily applied brush strokes to eliminate the minute details gives both works alike a sense of density and natural noise and movement that is ultimately only achieved through experiencing the landscape while capturing it . The intricate assertion and laying of the paint heavily with objects such as a palette knife was derived and manipulated by Monet originally from the "broken paint of the romantics" and became an "overriding concern with the group of young impressionists" - History of Modern Art . The painters had ceased being so caught up on directly mimicking and imitating what was seen by their eye but to pursue the experiences of the elements f nature onto the canvas . Being possible primarily through blocking of large organic masses...

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