Benvenuto Cellini Essay

719 words - 3 pages

Benvenuto Cellini

Born: 1 November 1500, Florence

Died: 14 February 1571, Florence

BENVENUTO CELLINI was one of the most larger-than-life figures of the Italian Renaissance. A celebrated sculptor, goldsmith, author and soldier, but also a hooligan and even a killer. The son of a musician and builder of musical instruments, Cellini's first major brush with the law came as an early teenager. He was banished from his native Florence for his alleged role in a fight. As a result, he received his early artistic training not only from the Florentine goldsmith, Marcone [Antonio di Sandro], but also from Francesco Castoro, a goldsmith of Siena. After further visits to Bologna and Pisa, Cellini was allowed to return to Florence and continue his work there. In 1519 Cellini moved to Rome, remaining until the city's fall to the Spanish Emperor in 1527. Among Cellini's works dating to this early period in his career is a gold medallion with carved stone inset, "Leda and the Swan," created for Gonfaloniere Gabbrello Cesarino and now in the collection of the museum at Vienna. Another of his patrons in the period was Cardinal Patriarch Marco Cornaro, of the powerful Cornaro della Regina family of Venice. By his own account Cellini played a role in the ultimately unsuccessful defense of Rome in 1527, slaying the Constable of Bourbon in one attack and later killing Philibert, Prince of Orange, as well. After a brief stay in Florence, where he concentrated on producing medals (including "Hercules and the Numean Lion" in gold repousse and "Atlas Supporting the Sphere" in chased gold), Cellini returned again to Rome. Among his works for Pope Clement VII during this period were a peace commemorative medallion depicting the Pope, 1530, a chalice (not completed), and a magnificent morse [button] for the Pope's cope. Then his work was interrupted again by one of the recurrent storm clouds that was persistent through out his career. In 1529 he killed a man who had early killed Cellini's brother and, in another incident, wounded a notary of the city. Celini fled briefly to Naples but, upon the accession of...

Find Another Essay On Benvenuto Cellini

Artists and Art and Learning during the Renaissance

2775 words - 11 pages admired Renaissance building of its kind. An analogous structure in Florence, the Uffizi was designed by Giorgio Vasari to house the Medici family's administrative office; it is now a museum. Vasari was in charge of the fresco decoration of the gigantic dome of Florence Cathedral and of the refurbishing of Palazzo Vecchio interiors.The last person I would like to cover is Benvenuto Cellini. He was one of the leading sculptors and goldsmiths of the

Criticism of "Rappaccini's Daughter" by Nathaniel Hawthorne

6317 words - 25 pages Benvenuto Cellini, who so happens to have been the creator of Baglioni's vial), the differing effects the disease has on the various characters (Rappaccini is sick with it, Beatrice, infected at birth, has inherited it from her father and developed an immunity to it, and Giovanni is an unconscious carrier), and the fact that Paracelsianism played a major role in the finding of a treatment for the disease.Bensick also focuses on the narrator and his

The Decay of Lying

11227 words - 45 pages Natural History; in Hanno's Periplus; in all the early chronicles; in the Lives of the Saints; in Froissart and Sir Thomas Mallory; in the travels of Marco Polo; in Olaus Magnus, and Aldrovandus, and Conrad Lycosthenes, with his magnificent Prodigiorum et Ostentorum Chronicon; in the autobiography of Benvenuto Cellini; in the memoirs of Casanova; in Defoe's History of the Plague; in Boswell's Life of Johnson; in Napoleon's despatches, and in the works

Reality and Illusion in Shakespeare's Hamlet - Reality, Appearance and Deception

896 words - 4 pages Reality and Illusion in Hamlet   Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the

Sub-plots in Hamlet

1118 words - 4 pages Sub-plots in Hamlet   There are many things that critics say make Hamlet a "Great Work," one of which is the way that Shakespeare masterfully incorporates so many sub-plots into the story, and ties them all into the main plot of Hamlet’s revenge of his father’s murder. By the end of Act I, not only is the main plot identified, but many other sub-plots are introduced. Among the sub-plots are trust in the Ghost of King Hamlet, Fortinbras, and

Hamlet as Victim and Hero

1301 words - 5 pages Hamlet as Victim and Hero      Hamlet, Prince of Denmark, a Shakespearean tragedy, tells the story of Prince Hamlet, who gained the knowledge of a terrible incident that his kingdom had suffered. Claudius, the king of Denmark and Hamlet's uncle, had killed his own brother, the king, who was also the father of Hamlet, and married his brother's widow. Hamlet suffered these traumas to a severe degree, and his only relief was to defeat his

Essay on Light and Dark in Antigone

1188 words - 5 pages Use of Light and Dark in Antigone   The "Golden Age" of Greece is noted for its many contributions to the creative world, especially in its development of the play. These performances strived to emphasize Greek morals, and were produced principally for this purpose. Antigone, by Sophocles, is typical. The moral focused on in Antigone is the conflict between physis (nature) and nomos (law), with physis ultimately presiding over nomos

charant Creon as the Main Character of Antigone

1231 words - 5 pages Creon as the Main Character of Antigone   Throughout the Greek play Antigone by Sophocles, there exists a dispute as to who should receive the designation of main character. Antigone, the daughter of the cursed King Oedipus, as well as Creon, stately king of Thebes, both appear as the key figures in this historic play. I believe that Creon, king of Thebes, should be considered the main character in this work of Greek theater. Three

Free Macbeth Essays: Sleep and Sleeplessness

525 words - 2 pages The Sleep and Sleeplessness Motif in Macbeth We have consciences that function to tell us the difference between right and wrong. If we have clear consciences, we usually possess the ability to sleep. But when our consciences are full of guilt, we experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth's and Lady Macbeth's consciences and the effect Macbeth's conscience has on

Life Outside of Life in Hawthorne’s Wakefield

898 words - 4 pages Life Outside of Life in Hawthorne’s Wakefield   Efficacy lies at the heart of human desires for immortality. Characters throughout literature and art are depicted as wanting to step aside and see what their world would be like without their individual contributions. The literary classic A Christmas Carol and the more recent, but ageless, film It’s Wonderful Life both use outside influences (three ghosts and Clarence the Angel

Essay on Identity in Song of Solomon

2172 words - 9 pages Searching for Identity in Song of Solomon         Abstract: Whether Africans really fly or just escape a monumental burden, perhaps only through death, is a decision Toni Morrison has apparently left to her readers. Never the less, no matter what you believe, within Song of Solomon, the suggestion is, that in order to "fly" you must go back to the beginning, back to your roots. You must learn the "art" from the old messages.   O

Similar Essays

The Relationship Between H Umanists And The Renaissance Era

675 words - 3 pages areas. Humanists maintained to perspective performers as experts of the high-status generous artistry, rather than the technical, and hence to desire them to analyze the humanities. Other relationships between fictional humanism and the visible artistry are apparent. Humanism was confirmed in documents as well as in performs of art by, among others, Alberti, Ghiberti, Leonardo, Michelangelo, Dürer, Benvenuto Cellini and Joachim von Sandrart

Was The Renaissance A True Period Of Change, Or Solely A 'pre Renaissance'?

840 words - 3 pages ...only as a member of a race, people, party, family or corporation." The Renaissance also gave way to autobiographies such as that of Benvenuto Cellini, but Gilson reveals that Cellini's work lacks merit and is full of bragging and conspicuous lies and is thus haughty. On the other hand, the earlier Middle Ages autobiographical works of Heloise and Abelard contain a "story of flesh and blood, carried along by a passion." It can be conceived and

16th And 17th Century Child Care And Child Discipline In Europe

1530 words - 6 pages their children. Not in the way of beatings, but in the manner that they look their children and children in general. Benvenuto Cellini was a metal crafter and sculptor that wrote an autobiography in Florence, Italy in he 1550s. Here he writes in disgust of an encounter with a son that he had with his wife. At first, he thinks the child is cute and stayed with him. When he went to depart, he was appalled that the child could not bear such an

Investment Casting Essay

1180 words - 5 pages patterns was achieved by the use of dies of carvable stone, cast bronze and carved wood. The lost wax casting process reached its highest artistic expression in Renaissance Italy. Benvenuto Cellini produced many memorable pieces using investment casting (Ezra Kotzin 40). Investment casting continued to be used for artistic expression, however, around the 1900's the use of the process was extended to the manufacturing of gold fillings and false teeth