In 1891 in a town called Notasulga, Alabama, Zora Hurston was born among eight children. The following year she moved to Eatonville, Florida, which was considered a all black community. Growing up in this type of community Hurston was only accustomed to her own ethic group and didn't have any life experience outside her community. Her father was a strict baptist preacher that didn't take on great responsibility as a father figure. The only person that managed to keep the family together was Hurston's mother Lucy. Lucy was Hurston's motivation inhabiting her mother's “driving force and great support”, that gave her self-confidence. Later her mother died when Hurston was only eleven, but she was able to live out her years with close relatives and soon was old enough to take care of herself.
Hurston didn’t finish high school, but was still able to get into a great college. She attended Harvard University, which was considered “the nations leading African American University at that time”(528). Among here pedagogue leaders, Alain Locke contributed to Hurston's popularity. He was known for his anthology the New Negro in 1925.(528) Later she decided to move out of Harlem to pursue her dream as a literary writer after her short story published , Drenched in Light, in an African American magazine.
A biographer by the name of Robert Hemenway wrote about Hurston,which gained her even more popularity and became well known. Robert Hemenway composes, “Zora Hurston was an
extraordinarily witty woman, and she acquired an instant reputation in New York for her high spirits and side-splitting tales of Eatonville life”(528). Hurston was imaged as “generous, outspoken, and
an interesting conversationalist.(528) Hurston started her career as a secretary for the politically liberal novelist Fannie Hurst and later attend Barnard College.(529) Their she studied with well known anthropologist Franz Boas. Hurston had gain an “interest in black folk traditions”(529) and became a well known informal performing artist in Harlem.
After Graduating from Barnard she was asked to return to Florida to study oral traditions of her home town. (529) Her main focus was to simply divide the interest of her common people and her origins, with her own individualism. Soon after her friendly relationship funds ended she was sponsored by an elderly white woman by the name of Mrs. R. Osgood Mason. Mrs. Mason was a patron of the arts and had firm ideas about what she wanted her proteges to produce.(529) “The fact that well-off white people were the sponsors of, and often expected to be the chief audience for; their work,”(529) Hurston was limited on what she could publish.
Among the male intellectual leaders of the Harlem community was a man by the name of Langston Hughes. He wasn’t thrilled with Hurston’s writings as well as the other intellectual male leaders.“She quarreled especially with Langston Hughes; she rejected the idea that a black writer’s chief concern show be...