This website uses cookies to ensure you have the best experience. Learn more

Bram Stoker's "Dracula" Essay

1425 words - 6 pages

1.)There are many ways that Bram Stoker's Dracula can be considered Anti-Christian byshowing of Anti-Christian values and perversions of the Christian religion. In chapter one asJonathan Harker is traveling to Castle Dracula he is met by several people. When he meets these people andtells them where he is going they cross themselves along with doing several other superstisciousactions. One of the women he meets gives him a crucifix to protect him on his journey. Thiscrucifix protects him when Jonathan cuts himself shaving and Dracula lunges for his throat he stops when hesees the crucifix around Jon's neck. Later in the book it discusses how you can defend yourself fromDracula and other vampires by the possession of a crucifix or practically any consecrated item fromthe Christian religion can be used to save you from the attack or presence of a vampire. For example, in the latter of thebook Van Helsing uses a Host to prevent Dracula to enter his coffin. Another time, during the nightVan Helsing and Lucy stay out near the courtyard of Castle Dracula, Van Helsing makes a (Holy circle) with the Host to keep vampires out and to keep Mina safe in the (Holy circle).Another time when the Host is used as a deterrence of vampires is at the time Van Helsing and the other men are goingto leave Mina alone in the house. Van Helsing touches a Host to Mina's forehead and it burns intoher head since she, herself, was unclean. Another abstruction of the Christian religion would be thefact that Dracula sleeps in a coffin and especially because the dirt in his coffin is consecrated andDracula, being evil, uses this ground to rest in. Dracula has several of the powers that Christiansbelieve no one but God could control. For instance, Dracula can control the weather, wild orunclean animals and, he can change form and disappear into the air. Christians believe thatconsuming God's body and blood will give them everlasting life with God in heaven. Draculagetting life after death or living an afterlife on earth by consuming the blood of the living to survive,build his strength, and create more followers of him in his evil ways. By this, Dracula is relyingon humans to renew his life after death and thus not concentrating on God as the source of life. AsDracula feeds on the blood of the living he creates followers as Jesus had disciples. Dracula has evilways and spreads his evil not by sexual reproduction as God meant it to be but he takes the livingand makes their lives evil destroying their souls. As it can be said that you must let God into yourheart Dracula may only enter someone's home unless they let him in. Throughout the book, severaltimes, normally while Renfield is speaking whenever he refers to God he capitalizes his pronouns asChristians would do when referring to God. When Lucy is brought in to the Un-Dead she rises fromthe dead three days after she dies as Jesus rose from the dead on Easter Sunday. God has nobeginning and no one can explain how he came about...

Find Another Essay On Bram Stoker's "Dracula"

Bram Stoker's Dracula as a Romantic Myth

4301 words - 17 pages Bram Stoker's Dracula as a Romantic Myth In this paper, I will present my reflections and thoughts on the myth of Dracula in particular, and the vampyre in general, as a love story and show the deeply rooted links between the two myths and Christianity, as refracted through the prism of Francis Ford Coppola's film Bram Stoker's Dracula (1992). One of the most well known aspects of a vampyre is that it must feed upon the blood of the

Embracing Female Sexuality in Bram Stoker's Dracula

2383 words - 10 pages “greatly desired and equally strongly feared fantasies” according to Phyllis Roth, the author of the novel "Suddenly Sexual Women in Bram Stoker's Dracula” (Roth, 59). In some cases, one might be able to suggest that the novel explores this idea that women are in fact more sexual than men. While it has been previously discussed that sexual acts were perceived to be a disconcerting subject matter during the traditional Victorian era, the conversion

A Summary of Bram Stoker's Dracula

963 words - 4 pages A Summary of Bram Stoker's Dracula Dracula is an epistolary novel, meaning that is composed from letters, journal and diary entries, telegrams, and newspaper clippings. Jonathan Harker, Mina Murray (later Mina Harker), and Dr. Seward write the largest contributions to the novel although the writings of Lucy Westenra and Abraham Van Helsing constitute some key parts of the book. The novel has a slightly journalistic feel, as it is a

Bram Stoker's Dracula

774 words - 3 pages are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time. Stoker uses 5 women in total to portray the Women discourse. The first is Mina Murray, a sensible young woman engaged to the main protagonist of the novel, Johnathon Harker. Mina is a highly educated woman for

Dracula, Appropriate Halloween Icon? Examines the theme of sexuality in Bram Stoker's "Dracula" and what it implies about Stoker's view of sexuality

872 words - 3 pages Although the legend of the vampire has existed, in one form or another, for centuries, Bram Stoker's Dracula is credited with having exposed this legend to the masses. The novel has given rise to the stereotypical character that the world associates with gothic events - Halloween in the U.S. - due to its dark, supernatural characterization. However, as compared with Stoker's novel, an element of the character generally ignored contributes

An Analysis of Bram Stoker's Dracula

1055 words - 4 pages Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of

The Use of Secondary Sources in Bram Stoker's "Dracula"

648 words - 3 pages character: what they were like, how they acted, etc. Instead of just one person explaining every character, you saw the point of views from every character, excluding Dracula, in their own words. This allowed you to understand more of what the character was like and how they handled different situations. It gave the story a more personal feel. In conclusion, I think Bram Stoker did an effective job by writing Dracula all by secondary sources. It gives the book a more personal feel, and the reader feels more connected to all the events happening throughout the story.

Getting to Know the Un-Dead in Bram Stoker's Dracula

1934 words - 8 pages Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide a sense of

Bram Stoker's Dracula: A Variation of a Classic Work in Modern Time

1986 words - 8 pages A woman changes everything; finally there is vindication for the knight who gave up life to avenge the death of his one true love, as he chose to become the undead. Director, Francis Ford Coppola, in his work, “Bram Stoker’s Dracula”, reaches beyond the words to prove Dracula was more than a monster in creating the movie. Coppola focuses on Dracula as a man, as well as a knight, who is both deeply in love with his church and his bride. The

Comparing the Nature of Terror in the Gothic Novels, Bram Stoker's Dracula and Mary Shelley's Frankenstein

702 words - 3 pages The two Gothic novels, Dracula and Frankenstein, introduced two of the most terrifying characters throughout all of literature. Bram Stoker, the author of Dracula, and Mary Shelley, the author of Frankenstein, both present elements of terror and create a tense mood and a gruesome picture. In both of these novels the other characters are not able to see these evil creatures actions. Although both of these novels depict truly evil minds, Dracula

Speech on archetypal texts: Mary Shelley's "Frankenstein" and Bram Stoker's "Dracula"

717 words - 3 pages Back in the early 19th century, when Mary Shelly and Bram Stoker composed Frankenstein and Dracula, neither author could have fathomed the enduring relevance of their work for so many years to come. Both texts are accepted by our culture as valuable will continue to do so. This can be attributed to them providing a vibrant insight into their contextual values and ideas, the archetypes of creator and created, and being one of the pioneer and best

Similar Essays

Paternalism In Bram Stoker's Dracula Essay

1005 words - 4 pages Paternalism in Bram Stoker's Dracula      Paternalism is the domination of a society by a male or parental figure that leads or governs much like the way a father would direct his family.  In Victorian society, the idea of paternalism was prevalent.  The idea was also frequently used as a motif in western literature.  Bram Stoker's novel Dracula, published in 1897, depicts a paternalistic society through a repression of the female sex

Sexuality In Bram Stoker's Dracula Essay

1089 words - 4 pages Sexuality in Bram Stoker's DraculaBram Stoker's Dracula, favorably received by critics upon publication in 1897, entertained its Victorian audience with unspeakable horrors such as vampires invading bedrooms to prey on beautiful maidens under the guise of night. The novel's eroticism proved even more unspeakable. Received in the era of repression, it remains questionable whether Dracula's readership perceived the sexuality flowing from the page

Coppola's Adaptation Of Bram Stoker's Dracula

1168 words - 5 pages Coppola's Adaptation of Bram Stoker's Dracula      The legendary creature Dracula has mesmerized readers and viewers for nearly a century. In Bram Stoker's masterpiece, Dracula, the infamous monster affects each reader in a different way. Some find the greatest fear to be the sacrilegious nature of his bloodsucking attacks, while others find themselves most afraid of Dracula's shadow-like omnipresent nature. The fascination with Dracula

A Marxist Interpretation Of Bram Stoker's "Dracula"

816 words - 3 pages contract in which they were, in principle, free and equal participants. Workers could not only choose the employer to whom they sold their labour, but their labour was also only sold for a fixed period. The worker had rights over his own labour. This was the accepted ideology in the late nineteenth century however Bram Stoker's character, Dracula, opposed these accepted conventions through his feeding. Dracula accepts no such rights or choices