Chopin And Ravel Essay

2869 words - 11 pages

Chopin¡¦s Ballade is described as a story ¡§carried forward by its own momentum, leaping ahead or lingering over some details but never backtracking.¡¨ While Ravel¡¦s Alborada del gracioso is a wild Spanish dance filled with leaps, twirls and excitement.Frederic Chopin (1810 ¡V 1849) and Maurice Ravel (1875 - 1937), while exhibiting considerable differences in their works, are ranked as two of the most eminent composers in their contribution to piano music. Frederic Chopin is often regarded as the ¡§Poet of the Piano,¡¨ being one of the greatest composers of piano music during the Romantic era which focuses on emotionality. The elements of his pianistic style, his sense of lyricism and unparalleled melodic ideas have produced some of the most pure and most beautiful music ever written, propelling Romantic piano music to its greatest heights. On the other hand, Maurice Ravel was influenced by new ideas and concepts in French piano music. This development was marked by a conception of music as a sonorous art rather than simply as a means of expression. This was in direct contrast to the subjective style of the nineteenth century Romantic movement, which placed emphasis on individual feelings and emotions. It can be hypothesized that Chopin remained as a proponent of the Romantic Period in his compositional style, whilst Ravel, however, writing in the twentieth century, reverted to the Classical styles on occasions to gratify his own fascinations. Through the comparison of the musical elements of Chopin¡¦s Ballade in G minor, Op23 and Ravel¡¦s Alborada del gracioso from Miroirs, it becomes evident that Chopin¡¦s work remained within the framework of the Romantic style while Ravel pursued a course which combined elements of Classicism and Impressionism.A Ballade is an instrumental piece with an implied narrative. It has been suggested that this Ballade in G minor was inspired by Polish literary ballads by Mickiewicz; however, any relationship between Chopin¡¦s music and Mickiewicz¡¦s poems is certainly not literal. Unlike many of his contemporaries, most notably Schumann and Liszt, Chopin rarely made literary allusions in the titles of his piano works. Miroirs is one of Ravel¡¦s most popular sets of piano pieces. The title was drawn from the pictorial and evocative moods of the pieces and symbolizes the ¡§mirrors of reality¡¨ (Myers 1960). The pieces reveal some of Ravel¡¦s rich, exotic and distinctive musical style with the Alborada del gracioso reflecting Ravel¡¦s fascination with Spanish elements and qualities. Alborada del gracioso is a morning song about the sharp-witted ¡¥fool¡¦ of Spanish classical plays.These two piece, however, are in contrast stylistically. They may not necessarily be indicative of their respective...

Find Another Essay On Chopin and ravel

The Evolution of Music through History

2419 words - 10 pages a tragic story, or a representation through music of something beautiful that can be seen in nature. Some early Romantic composers were the Russian, Glinka, and the Bohemian, Smetana. Of course, the 6 most famous composers of the early generation were definitely Berlioz, Chopin, Schumann, Liszt, Mendelssohn, and Verdi. Some famous composer from the late period are Brahms and Bruckner. In the Romantic Era, many national schools became prominent in

Reality and Illusion in Shakespeare's Hamlet - Reality, Appearance and Deception

896 words - 4 pages Reality and Illusion in Hamlet   Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the

Sub-plots in Hamlet

1118 words - 4 pages Sub-plots in Hamlet   There are many things that critics say make Hamlet a "Great Work," one of which is the way that Shakespeare masterfully incorporates so many sub-plots into the story, and ties them all into the main plot of Hamlet’s revenge of his father’s murder. By the end of Act I, not only is the main plot identified, but many other sub-plots are introduced. Among the sub-plots are trust in the Ghost of King Hamlet, Fortinbras

Hamlet as Victim and Hero

1301 words - 5 pages Hamlet as Victim and Hero      Hamlet, Prince of Denmark, a Shakespearean tragedy, tells the story of Prince Hamlet, who gained the knowledge of a terrible incident that his kingdom had suffered. Claudius, the king of Denmark and Hamlet's uncle, had killed his own brother, the king, who was also the father of Hamlet, and married his brother's widow. Hamlet suffered these traumas to a severe degree, and his only relief was to defeat his

Essay on Light and Dark in Antigone

1188 words - 5 pages Use of Light and Dark in Antigone   The "Golden Age" of Greece is noted for its many contributions to the creative world, especially in its development of the play. These performances strived to emphasize Greek morals, and were produced principally for this purpose. Antigone, by Sophocles, is typical. The moral focused on in Antigone is the conflict between physis (nature) and nomos (law), with physis ultimately presiding over nomos

charant Creon as the Main Character of Antigone

1231 words - 5 pages points can be used to make this argument: Creon suffers greatly, he learns a lesson, and is a tragic hero. Creon, like all main characters in Greek drama, suffers many losses and undergoes emotional pain and anguish. A target of the curse on the House of Oedipus by relation, Creon was already a victim of fate. His destiny has already been predetermined by the curse on the house of Oedipus, so he must either undergo suffering, death, or even

Free Macbeth Essays: Sleep and Sleeplessness

525 words - 2 pages The Sleep and Sleeplessness Motif in Macbeth We have consciences that function to tell us the difference between right and wrong. If we have clear consciences, we usually possess the ability to sleep. But when our consciences are full of guilt, we experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth's and Lady Macbeth's consciences and the effect Macbeth's conscience has

Life Outside of Life in Hawthorne’s Wakefield

898 words - 4 pages Life Outside of Life in Hawthorne’s Wakefield   Efficacy lies at the heart of human desires for immortality. Characters throughout literature and art are depicted as wanting to step aside and see what their world would be like without their individual contributions. The literary classic A Christmas Carol and the more recent, but ageless, film It’s Wonderful Life both use outside influences (three ghosts and Clarence the Angel

Essay on Identity in Song of Solomon

2172 words - 9 pages Beloved, Morrison's unique style of ending a novel with no finalization, only enhances the content and tickles the imagination. Evidence of the influence of Zora Neale Hurston is sprinkled liberally throughout the story. In addition to folklore and mythology, Song of Solomon is also rife with the cold, hard facts of reality. Did Milkman actually become airborne or was he merely a man, consistently trying to escape reality?   Toni Morrison's

The Character of Oedipus in Oedipus and The Infernal Machine

904 words - 4 pages The Character of Oedipus in Oedipus and The Infernal Machine    The stories of Oedipus, as told through Seneca's Oedipus and Cocteau's The Infernal Machine, contain both similarites and differences. Both authors portray the character of Oedipus as being obstinate, ignorant, and inquisitive. Yet Seneca and Cocteau differ on their interpretation of the motives that propelled these characteristics of Oedipus. Seneca portrays Oedipus as a

Okonkwo's Tragic Flaws in Chinua Achebe's Things Fall Apart

3121 words - 12 pages        An increasing amount of contemporary literature traces its origins back to the early works of Greece. For ages, humans have fascinated themselves with the impossible notion of perfection. Unrealistic expectations placed on those who were thought to be the noblest or most honorable individuals have repeatedly led to disappointment and frustration, either on the part of those particular individuals or those they influence. Classic

Similar Essays

Chopin Sonata No. 3 Essay

1468 words - 6 pages big chords, rapid scales, and chromatic passages. The chromaticism looks forward to the dissonances and non-functional harmony of Fauré, Debussy and Ravel (Lederer 71). Conclusion In the third sonata, Chopin explores all ranges of pianistic elements and human emotions. The sonata consists of martial strains, expressive melodies, delicate passagework, and tempestuous material. Chopin challenges the mold of the sonata-allegro form; he is quite

George Gershwin Essay

1619 words - 6 pages . However, it was George that took the immediate interest in playing the piano. George played by ear before his parents purchased piano lessons for him. George began to study music seriously at the age of twelve. After studying and perfecting his talent, under the guidance of Charles Hambutze, Gershwin was taught proper techniques, lyricism, and harmony. This opened up a the worlds of Chopin, Liszt, Debussy and Schoenberg (Ewen 58-60

The Compositions Of Erik Alfred Leslie Satie

3662 words - 15 pages friends with composers and artists including: Debussy, Ravel and even Pablo Picasso, all of whom were very eccentric in their creations. In 1879 at the age of 13 Erik Satie entered the Paris Conservatoire. It is thought that Satie’s time at the Conservatoire was not enjoyable for him at all. It is believed that his tragic childhood contributed to his fraught time at the Conservatoire. Satie was described after an examination in 1880 is “Gifted but

Music Awareness, Contextual Studies: "National Schools Within The Romanticism"

2690 words - 11 pages ! During this period a lot of master-composers raised the musical scene, suc as Berlioz, Chopin, Bizet, Poulenc, Debussy, Ravel, Milhaud, Faurè, Saint-Saèns and many more. I will mention just two of them, otherwise their creative lives description would fill up too many sheets more....... Debussy was a radical innovator despite the conservative French scene's branch of the late 19th century, by dissolving traditional rules and