Chronicle of a Death Foretold
The type of violence portrayed in Chronicle of a Death Foretold is more of an honor killing, in which two innocent young men feel pressured by society to become violent, instead of their own intentions. The standards and expectations of the society and their own mother who summoned them with the problem expected them to take care of the situation and regain their sister's honor. The kind of violence seen in Billy Budd differs in that it is a regulatory measure meant to keep order and obey the rules of a society and an institution. While both acts of violence are not the pure testosterone driven raging acts seen in modern day news broadcasts, they differ in that they also show a background of honest premeditation. Both were committed for very serious, purposeful reasons of which the murderers knew the full weight of their actions and that was exactly what they intended. In both novels, the murder committed took away a good person's life, while to many witnesses and accomplices there was a shadow of doubt as to the good intentions and reasoning behind these deeds.
The misguided intentions began in Marquez's novel witht he arrival and objectives of Bayardo San Roman. He thinks he deserves a "perfect" bride and has come to this small Caribbean town to find her. Based on looks he picks Angela Vicario, without even knowing her or spending time alone he wants to spend his life with her. This kind of egotism and obvious materialism demonstrates that Bayardo wants Angela based on her looks and "pure" reputation that there are "no better-reared daughters" than the Vicario ones (Marquez 31). She personally means nothing to him, and he wants her for all of the wrong reasons. He is able to convince her family to pressure her into accepting the engagement by "bewitching the family with his charm" as well as his family's reputation (Marquez 34). With the impure intentions of finding a picture perfect wife whom he knew nothing about, Bayardo puts himself in a world of trouble, all because he connived Angela into marrying him.
Angela Vicario was brought up to be a good, traditional wife who "any man will be happy with" (Marquez 31). In choosing her, Bayardo was not so far off the mark. She refuses to tell her parents about her marriage predicament before the wedding and allows herself to be convinced by her friends that things will be fine if she uses their tricks. It is her decency and "honesty" which, prevailing, further instigates the dilemma and allows her husband to know the truth.
After her immense embarrassment of being returned to her family on her wedding night, Angela Vicario is probed for the name of her lover who has dishonored both her and her family. She answered without hesitation or a second thought and said Santiago Nasar's name. If this was her true lover's name, she never thinks twice to hide his identity from her two "urgently summoned" brothers. The doubt cast that...