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Dali Brenton And The Surrealism Movement

2349 words - 9 pages

Dali Brenton and the Surrealism Movement


The surrealism movement took place during the aftermath of WWI and started in primarily in France. Surrealism was more of a broad range cultural /social project interested in liberating the human society from conscious and logical thinking to create a utopian society, than an art movement. The surrealism movement was in search of a gateway into society’s subconscious, the break down of rational and logical thinking, (The marvelous.) Surrealist artwork concentrated on individualism, subjective visions and states of disorientation, nihilism, chaos and irrationality of modernity to break down the society’s consciousness. The following artwork played a major part in the search of the marvelous: Salvador Dali’s, Accommodations of Desire created in 1929, which I’ll compare to Salvador Dali and Luis Bunuel’s Un Chein Andalou created in 1929. I’ll also examine the works of Andre Brenton, ‘Exquisite Corpses’ created in 1930 by Andre Brenton, Tristan Tzara, Valentine Hugo and Greta Knutson and If you please by Andre Brenton and Philippe Soupault created in 1919. Both Andre Brenton and Salvador Dali were major player in the surrealist movement. Andre Brenton is considered the father of surrealism and Salvador Dali is considered the surrealist artist of our time.
“Surrealism, n, Psychic automatism in its pure state, by which one proposes to express-verbally, by means of the written word, or in any other manner-actual functioning of thought. Dictated by thought, in the absence of any control exercised by reasons, exempt from any aesthetic or moral concerning.”
Salvador Dali (1904-1989), was a Spanish painter, writer, and member of the surrealist movement. He was born in Figueras, Catalonia, and educated at the School of Fine Arts, Madrid. After 1929 he espoused surrealism, although the leaders of the movement later denounced Dalí as overly commercial. Dalí's paintings from this period depict dream imagery and everyday objects in unexpected forms, such as the famous limp watches in The Persistence of Memory (1931, Museum of Modern Art, New York City)
Salvador Dali’s, Accommodations of Desire created in 1929 which is
8 5/8 x 13 ½ and is oil and collage on panel. The following statement best describes the painting “Repeat in fragments the same head of the lion desire, in order that the desire of each may be suitable accommodate itself. He who wishes to posses the beast mouth does not see the mane. He who wishes to posses the red mane hears not the lion’s roar. And he who prefers the necrophilic ants crawling over the white pebble no longer see the lion. Above left the pebble of the Playa Confitera has already been laid bare by death.” In comparing the painting to the film Un Chein Andalou by Salvador Dali and Luis Bunuel also created in 1929 you can see the similarities in both works, i.e. the violence, death, disorientation, chaos and the most obvious similarity; ants crawling out of the man’s hand...

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