This website uses cookies to ensure you have the best experience. Learn more

Deception And Its Dramatic Effects In Shakespeare's Much Ado About Nothing And Twelfth Night

2131 words - 9 pages

Deception and Its Dramatic Effects in Shakespeare's Much Ado About Nothing and Twelfth Night

Shakespeare uses deception and trickery in both "Twelfth Night" and
"Much Ado" to provide humour and dramatic irony for the audience. The
deception also furthers the plot or sub-plot. The dramatic effects of
this trickery are the irony, anticipation and empathy with the
characters. In the scene from "Much Ado", deception is used to create
a romance which turns out to be more than is intended by the
characters doing the deceiving. In "Twelfth Night" the purpose of the
deception is purely for fun and to provide humour for the audience.

Benedick is deceived by Claudio, Leonato and Don Pedro. Malvolio is
deceived by Olivia's uncle and his friend. Claudio, Leonato and Don
Pedro want to try and persuade him that he is in love with Beatrice
because they know that he has convinced himself he will never marry.
Benedick is not particularly interested in love and will refuse to
become "the argument of his own scorn" and when he describes his
ultimate lady it seems nobody that perfect would exist so Benedick
will always be single.

"Rich she'll be…wise…virtuous…fair…mild…noble…of good discourse…an
excellent musician, and her hair shall be of what colour it please…"

Benedick also makes the point that Claudio swore he would never fall
in love and he is supposed to be wed by the end of the play.

"He was like…an honest man and soldier, and now he is turned
orthography…"

He has previously been known as a woman hater and his constant match
of wits against Beatrice proves how little he wants to be involved
with them. In" Twelfth Night", Malvolio is found to be a man who loves
himself and believes that if someone does not like him, it is their
own fault. He is deceived by way of a letter from Maria (pretending to
be Olivia) which in fact says very little in direct terms. Maria and
her friends send the letter because they are sick of Malvoilio's "self
love". It is Malvolio himself who creates the deception by tricking
himself into creating a meaning for everything in the letter, however
cryptic. Malvolio is however; very capable of deceiving himself anyway
and frequently does so, making it easy for the letter to have meaning
for him

Benedick is tricked into eavesdropping by a well planned conversation,
which involves Benedick overhearing his name in a conversation-a
typical way of intentionally getting someone to eavesdrop. He
eavesdrops because he hears his name and the conversation follows
through to the subject of romance, which captures Benedick's attention
and keeps it, meanwhile Benedick is determined to stay hidden from
"Monsieur Love". He is told that Beatrice has an undying love for him
but she would never tell him because it would ruin their constant wit
...

Find Another Essay On Deception and Its Dramatic Effects in Shakespeare's Much Ado About Nothing and Twelfth Night

Claudio and Hero's Relationship in Shakespeare's Much Ado About Nothing

642 words - 3 pages prostitute she does not defend herself and says ‘Is my lord well, that he doth speak so wide?’ Instead of defending herself she asks if Claudio is alright which displays a sign of weakness in her. Claudio and Hero’s relationship started off at love at first sight therefore they did not know each other when they fell in love which was bad because if only Claudio knew Hero better than he would not have to worry about the lies that entered his ear

The Themes of Noting and Deception in Much Ado About Nothing

1918 words - 8 pages The Themes of Noting and Deception in Much Ado About Nothing "Discuss the themes of 'noting' and 'deception' in Much Ado About Nothing" The play 'Much Ado About Nothing' was written by Williams Shakespeare in the late 1600's and over four centuries later it is still a significantly popular play and has widespread appeal. The play explores many themes including love, treachery, friendship, society and traditions

Shakespeare's Techniques in Much Ado About Nothing

1891 words - 8 pages Shakespeare's Techniques in Much Ado About Nothing I am going to describe the techniques used by Shakespeare in 'Much Ado About Nothing'. I am focusing on language, themes, characters, plots and sub plots as well as the play as a whole. I will also be focusing on how the modern day as well as the Elizabethan audience would respond to this play write. Shakespeare is known as one of the worlds best play writers, he has

The Deception of Benedick in Act 2 Scene 3 of William Shakespeare's Much Ado About Nothing

2152 words - 9 pages The Deception of Benedick in Act 2 Scene 3 of William Shakespeare's Much Ado About Nothing Deception plays a fundamental role in Much Ado About Nothing because it is one of the elements of laughter in it. It normally originates from Don Jon the bastard brother of Don Pedro, who wants to be the Prince causing havoc to Don Pedro and his friends. However this deception doesn't originate from Don Jon's malevolence, but from Don

Three types of Deception In Much Ado About Nothing

702 words - 3 pages The assertion "Deception by appearances" does apply to Much Ado About Nothing in many ways. Deception plays an important role in this book. Deception is the cause that brings about the effects of the situations. The masked dance, Benedick and Beatrice, Don John deceiving Claudio about Hero, and the Friar at the wedding are a few examples. The three types of deception that I will be classifying are beneficial, cruel, and sorrowful.One type of

Misperception and Deception in William Shakespeare's Twelfth Night

2198 words - 9 pages perfect example of the ties between humor, irony, misperception and deception and how intricately the characters are woven into the resulting confusion. It also demonstrates how Viola is at the centre of all misperception and deception. Viola directly effects another character through misperception and deception in Twelfth Night, who is Orsino. He is not only deceived by Viola's disguise, though he acknowledges her likeness to a woman

Shakespeare's Presentation of Hero and Beatrice in Much Ado About Nothing

2313 words - 9 pages Shakespeare's Presentation of Hero and Beatrice in Much Ado About Nothing Hero and Beatrice are the two main female characters in Shakespeare's "Much Ado About Nothing" and they tell us a lot about how Shakespeare saw women in the context of the sixteenth century upper classes. In looking at the presentation of the characters it is important to examine their entrance into the play and what first impressions the

The Portrayal of Benedick and Beatrice in William Shakespeare's Much Ado About Nothing

1095 words - 4 pages The Portrayal of Benedick and Beatrice in William Shakespeare's Much Ado About Nothing At the beginning of William Shakespeare's play "Much Ado About Nothing" he portrays Beatrice and Benedick as two argumentative young people. However he also portrays them as being attracted to each other, this becomes clear because the first thing Beatrice says in the play is " I pray you, is Signor Mountanto return'd from the wars or

Shakespeare's presentation of the gulling of Beatrice and Benedick in "Much Ado About Nothing"

1212 words - 5 pages Dramatically, the two scenes in which the friends of Beatrice and Benedick deceive them into believing that the love of the other is whole-heartedly directed towards them, is very appealing, and on of the reasons for this is the dramatic effects.Shakespeare delves into the deeper and more continuous themes of the play in this scene, both through the language and the visual actions, and one of the themes explored is the emerging of true emotions

Women in Shakespeare's Much Ado About Nothing and Taming of the Shrew

1954 words - 8 pages “orange,” but also as something that “taken back” demonstrates his perception of his potential wife as something that he ought to be able to sexually “consume,” and, ultimately, take control of. In conclusion, The Taming of the Shrew as well as Much Ado About Nothing employ the use of one’s property and objects to describe women. In doing so, the roles appropriated to women at the time are clearly depicted to be one’s similar to that of

Much Ado About Nothing Beatrice And Benedick

618 words - 2 pages In the comedy Much Ado about Nothing, Shakespeare illustrates Beatrice and Benedick's change of character lead them to love. To pick which couple's relationship was the most successful would be quite simple. I felt that both were doomed at the beginning. Whether its because the relationship is based on appearance and impressions rather than a true love and friendship or based upon extreme openness and stubborn mindedness which you see neither is

Similar Essays

Comparison Of Shakespeare's Comedies: "A Midsummer Night's Dream", "Twelfth Night", And "Much Ado About Nothing."

902 words - 4 pages Orisino during the whole comedy. In Much Ado About Nothing, Benedick and Beatrice are both strongly against relationships and getting married. However, the comedy wouldn't be a comedy without fickleness about love. They quickly fall in love with each other and get married.Another common theme among Shakespeare's comedies is deception. In Twelfth Night, almost every main character used deceit. Viola dressed as Cesario as fooled everyone. She even

Viola And Beatrice In Twelfth Night And Much Ado About Nothing

981 words - 4 pages Viola and Beatrice are not completely free of typecast feminine failings, they are not helpless pawns. Although they do not confront their problems with masculine directness equal to their masculine wit, they are nobody's fools.   Works Cited Much Ado About Nothing.  The Riverside Shakespeare, 2nd ed.  Boston: Houghton Mifflin Co., 1997.  366-398.

Shakespeare's Use Of Deception In Much Ado About Nothing

1728 words - 7 pages Shakespeare's Use of Deception in Much Ado About Nothing In the Play ‘Much Ado About Nothing’ the role of deceit is an important one that is played to its fullest. The play is based upon deliberate deceptions and numerous schemes that are used to manipulate the thoughts of nearly every character and the characters deceive themselves by putting on a different public facade instead of showing their true feelings and

Dramatic Change In Shakespeare's Much Ado About Nothing

859 words - 3 pages In this scene Shakespeare introduces a dramatic change in tone: presenting a juxtaposing, darker, more tragic atmosphere to that previous to it. This in turn creates a striking climax to the dramatic tension and threat posed by those agents of disorder in ‘Much Ado About Nothing’. This dramatic contrast in mood is generated through the uprising of conflict between the aristocracy and the house of Leonato. Claudio’s misguided hatred for Hero