Descriptive Properties Essay

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One thing that is very important in all forms of writing – not just poetry – is the description. When writing, an author should describe the setting and the characters thoroughly, in a way that resounds in the reader. All descriptions are written in hopes of putting an image into your head, and especially as sophomores, I believe that we are still learning how to write descriptions. Descriptions are not as easy as everyone thinks of them as – not a good description, anyway. I’ve read many descriptive sentences from peer grading essays and my trudge through numerous novels and short stories, and rarely do I find that descriptions really put an image into my head. Not to discourage the way teachers teach descriptive writing as I understand that if it’s difficult to so much as write a description, it should be very difficult to teach it.
Many descriptions follow along the lines of “the sky was as blue as the crystal waters of the Pacific and little white dots of cotton lined the pearlescent skies, lazily flitting about.” While there is generally nothing wrong with this description, I find that it’s just too wordy and all these descriptive words strung together detract from the mood of the writing more than they add to it. I believe the only time I’ve ever seen this form of description work is in a couple of mystery novels, and I suspect that it would do well in the horror and macabre genre. However, if an author is trying to create a light mood or tense mood, the excessive amount of words used to describe even the face of the protagonist or antagonist takes away from whatever mood the author is trying to create. If an reader has to lug himself through tons of description words to finally get to what is actually going on, the work just becomes confusing and tedious and opposed to descriptive and aesthetic.
It’s difficult to write in any other form of description besides this, and I admit to writing exactly like this. Old poems of mine have descriptions so wordy I cringe. I believe that the best kind of description is one the reader can relate to, which is why descriptions are so difficult. It’s rather difficult to read a couple paragraphs of “her apple red hood shone like rubies under the sunlight, glistening so that nearly every crimson red thread used to sew the rouge hood together could be seen. The hood had a golden yellow border that glittered as she walked through the deep, green forest along a mushy, wet dirt path” without wanting to skim. The descriptions seem inauthentic and as if the author literally just piled up on all the possible words for the colour red and stuffed them all in one phrase. Is “apple red” even a colour? After a couple sentences of that, it’s likely to skim. Descriptions are important to a story, and it isn’t good when readers skim through descriptions, but many readers don’t read stories like Little Red Riding Hood to find all...

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