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Discuss The Role Of Women In Strindberg's Plays.

1024 words - 4 pages

In the preface to his play Miss. Julie, Strindberg states that a modern woman who tries to be equal to a man, "implies a retro-gressive step in evolution, an inferior species who cannot endure". (p 68, Strindberg) As is notable from this quote, Strindberg believed passionately in the inferiority of women to men, and his portrayal of this conviction in his female characters has made his name synonymous with misogyny. In this essay I will discuss how this becomes apparent in both Miss Julie and The Father.In Miss. Julie, Miss Julie herself is the play's twenty-five-year-old heroine. Fresh from a broken engagement, which was ruined because of her attempt literally to train her fiancé like a dog; Miss Julie has become "absolutely crazy" (p 76, Strindberg), making shameless advances to her valet, Jean, on Midsummer Eve. In his preface to the play, Strindberg discusses what motivates Miss Julie: "her mother's primary instincts, her father raising her incorrectly, her own nature, and the influence of her fiancé on her weak and degenerate brain". (p 65, Strindberg) He also cites as influences; the absence of her father, the fact that she is menstruating, the sensual dancing and flowers, and, finally, the man. Strindberg is interested in psychology, and this list is his diagnosis of what he considers Miss Julie's sickness. The symptoms of this sickness are similar to contemporaneous symptoms of the hysteric. Traditionally considered a female disease, hysteria in Strindberg's day was increasingly used to refer to a disturbance in female sexuality - namely, a woman's failure or refusal to accept her sexual desires. Strindberg probably meant for us to read Julie as a hysteric, for she is simultaneously disgusted and drawn to men, and is both nonsexual and seductive.Raised by an empowered mother who abhorred men, Julie is horrified by sex, yet is willing to play the lascivious coquette. Her hatred of men leads her to attempt to enslave them sadistically. Ultimately, however, the play invests itself in her masochism above all else. Julie desires her own fall, and Strindberg partially blames her for her fate. Julie submits to Jean, who is partly a father figure, imploring him both to abuse and to save her. Julie slips into a hypnotised state, a trance-like condition that people associated with hysterics. It can be argued that Miss Julie's characterisation and ultimate fate reveal Strindberg's notoriously misogynistic fantasies.Julie's desperate plea for Jean to accompany her to her bedroom appears to demonstrate her feminine masochism. Julie's paralysis is another symptom of her hysteria. After sleeping with Jean, she is portrayed as totally without will, unable to think for herself. The play explains Julie's state as a product of her mother's influence. The Countess suffered from a masculinity complex, usurping her husband's authority and disastrously attempting to reverse gender roles on the estate. She raised Julie just like a boy, making her a...

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