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DvÄrgen PÄr Lagerkvist Essay

1590 words - 7 pages

DVÄRGEN - PÄR LAGERKVISTBoken Dvärgen utspelar sig under renässansens Italien. Berättelsen är hållen i jag-form. Den som för ordet är en dvärg vid ett italienskt furstehov. Han bor ensam (efter att ha strypt den andre dvärgen, Josafat) uppe i dvärgvåningen. En mycket självmedveten liten herre, endast 26 tum. Han framhåller genast att han inte, till skillnad från många andra dvärgar, är någon narr, att han håller strängt på sina värdigheter och har lyckats sätta sig i viss respekt. Med sitt fårade ansikte och sina små onda ögon inger han ...view middle of the document...

Men istället hatar han henne. Jag tror att, eftersom både hatet och kärleken är två väldigt starka känslor, fast varandras motsatser så är steget från hat till kärlek trots allt inte så stort. Men det är Dvärgens natur att hata istället för att älska.I boken får man även följa en konstnär. En gäst, maestro Bernardo, har kommit på besök till hovet. Fursten finner direkt tycke för den mycket ovanliga människan som är nyfiken på det okända. Jag tror att Pär Lagerkvist i Bernardo försöker fånga konstnären Leonardo som precis som Bernardo i boken ängnade sig mycket åt konst. Bernardo ritar två porträtt av furstinnan båda med det där mystiska leéndet precis som Mona Lisa har.Det som fursten framförallt beundrar Bernardo för är hans skickliga krigsmaskinsritningar som fursten insåg att han kunde använda sig av för att få mer makt. Tillsammans med den råa och kallblodige Boccarossa och hans armé förklarar de krig mot grannskapet Montanza. Dvärgen nästan avgudar Boccarossa, han ser i honom en riktig man av krigisk natur. Det kan hända att de påminner lite om varandra.Dvärgen blir nästan i extas när han får reda på att även han får delta i kriget. Är det någonting han inte hatar så är det krig. Kriget går precis som Dvärgen anade, de har inga problem att besegra grannfursten och hans folk. Men på grund av furstens ekonomi blir de tvugna att dra sig tillbaka trots att deras seger var ohotad. När sedan fursten inbjuder fienden till fredsförhandling håller Dvärgen på att spricka av förnedring. Men åter igen ändrar han mening och beundrar sin furstes storhet när denna vid själva fredsbanketten i palatset beordrar Dvärgen att förgifta fienden. Dvärgens makt endast växer när han även senare förråder furstens dotters förhållande med grannfurstens son. Det är Dvärgen som driver furstinnan till förtvivlan och vanvett när hon söker tröst hos honom. Men han har låtit sig drivas för långt i sitt perversa maktbegär och han blir mer och mer avvisad och utfryst från hovet. Det är antagligen förgiftningen vid fredsbanketten som utgör berättelsens vändpunkt, peripeti. Han förgiftar även, utan order av fursten, don Riccardo. Dvärgen hyser stort hat över honom antagligen mycket för att don Riccardo är så älskad utav folket. Innan förgiftningen är Dvärgen om inte uppskattad i varje fall...


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