This website uses cookies to ensure you have the best experience. Learn more

Finding Identity And Appropriation Art Essay

1454 words - 6 pages

‘Copying, reinterpreting, quoting, and translating are all terms that have been utilised as alternative descriptions for the phenomenon known as “appropriation”, the action of taking or making use of something without authority or legal right. This practice often involves borrowing, mimicking, or even stealing, and it is highly contested and criticized in the contemporary art world’ (Gorman, C 2013, p. 215). Appropriation in the postmodern decade brings various aspects such as cultural exchange and finding identity. From the number of contemporary artists used the appropriation in their artwork covers a wide range of media. Appropriation art, sometimes cause responses varying from astonishment and suspicion to praise and acceptance, depend on the viewers and the performance by the artist. This essay, then critically discusses two particular artists, Masami Teraoka and Yasumasa Morimura, who illustrate the appropriation in their art with similar and dissimilar concepts. The focus is on the visual arts, yet the argument of appropriation has significant effects for analyses of particular conceptualisations such as finding identity and dominion of cultural and intellectual chracteristics. (Schneider, A 2003, p. 215)

A satirical cultural viewer, Masami Teraoka brings his creativity from a variety of techniques, times, and genres. His artworks sometimes hilariously, sometimes critically, deliver narratives that explore controversial social and political issues. The clash of Asian and Western culture as seen in 31 Flavors Invading Japan (Figure 1) and McDonald’s Hamburgers Invading Japan (Figure 2) are only part of the matters addressed. Teraoka constantly blends culturally particular iconography with the current worldwide community, appropriates any accepted recognition of extremely imperfective in our human condition. Masami Teraoka’s artworks show a translation of cultures, a clash of east and west, especially in the symbolic artifacts of a globalism. The old Japanese culture and Western consumerism discorded creating a bold, erotic and entertaining art works that combined reality with unreality, wit with critique and past with the present. In Figure 1 and 2, Teraoka depicts to wry the collision of social issues, crafting watercolour paintings that illustrated from contemporary subjects; McDonald’s hamburger, corn with ice cream, white female and lots of nudity, completely joined together with traditional Geisha and Kabuki appeals to convey imperfect social and political commentary on globalised culture. Sometimes hilarious, but at the same time constantly provocative, Teraoka’s paintings are extremely individual configurations formed with humour, thoughts and techniques, his arts surpassing the restrictions of time and culture. Here is how Teraoka stated, ‘Integrating reality with fantasy, humour with commentary, and history with the present became my challenge. My early watercolour paintings were inspired by Ukiyo-e woodblock prints. These...

Find Another Essay On Finding Identity and Appropriation Art

Questioning Originality and Authorship in Fine Art Photography

1781 words - 7 pages Over the last few decades, the practice of radically appropriating works of other artists has become common. The central tenet in appropriation art is to incorporate ideas and images from mass media, popular culture, advertising, and from other artists into a new work. Indeed, appropriating art is not new since borrowing from other artists is an age-old practice. For instance, painters have regularly repainted the paintings of other

The General Law of Privacy and The Law of Appropriation

1316 words - 6 pages the illegal commercial use of an individuals name or likeness. It “gives an individual the right to license the use of their identity for commercial purposes and allows them to make money from the commercial use of his or her identity” . Due to the similarities between appropriation of name and likeness and the right of publicity claims, courts and legal reviewers often confuse and complicate them. In order to solve this reoccurring problem

Describe the art making practices of Imants Tillers. Discuss specific artworks to support your decision.

860 words - 3 pages come from the battles he has faced as an individual and often the struggle of others. Exploring experiences in the lives of others means Tiller enjoys collecting from the ideas of others and appropriates other artworks indentifying him as "a quintessential postmodern artist." Categories that influence and define Tiller's art making practices include displacement, pastiche, appropriation, deconstruction and other physical features

We’re Not Asking You To Give Up Yoga Pants: Identifying Religious Symbolism in Daily Life

1311 words - 6 pages of their cultural object or product out of “fear of cultural erosion and may suffer material deprivation.” Therefore, cultural appropriation can only be determined through the presence of contestation by cultural agents who challenge the borrowing of their identity as harmful to their existence. Determining cultural appropriation in terms of power is thus easier, as minority groups who have undergone the process of colonization, disempowerment

Michaelangelo vs Gordon Bennett - Brightwater - Comparison art essay

1254 words - 6 pages Anglo-Gaelic descent. He was a momentous and inspirational figure in creating Indigenous Australian art. Bennett’s message was that “the colonial ideologies that created a Manichean society based on racist lines are as strong as ever” (, 2016). His artwork is very personal in ways of finding his own identity. At the age of sixteen, he found out he was of Aboriginal heritage. Bennett had always thought he was Caucasian. His artwork

Appropriation and Elaine

894 words - 4 pages Appropriation art has frequently occurred alleged to favor the understanding that authorship in art is an old-fashioned or erroneous notion. Throughout a supposed experimentation associating appropriation art to a distinctive example of creative imitation, I scrutinize and discard a sum of applicants for the division that forges artists the creators of their work whilst imitators are not. The fundamental divergence is perceived to lie in the


1466 words - 6 pages Appropriation is an important historical movement and ideology in the Visual Arts. Going against the grain of society, it led people to question what the notion of art really was, as well as bringing up many other issues in the art community. In order to truly understand the significance of appropriation, we must first know about the basic ideas and history of the movement itself.Appropriation is the means of borrowing components from other


610 words - 3 pages appropriation. In the appropriation process, an artist looks and selects what he wants to edit with a precise intention. "A good composer does not imitate, he steals". With this statement, Igor Stravinsky1 expresses a well-known feeling that unites all the avant-garde of the 20th century and it finds its highest expression in the practice of collage. In this chapter I examine some of the greatest exponents of this trend, thanks to them appropriation art

Cultural Appropriation

2034 words - 9 pages so many components that can be considered cultural appropriation, it is questioned as to what does not fall under this category. To dress up as a fictional character from a different culture is a non-offensive act (“What Is Culture Appropriation, Anyway?”). Buying or displaying art from a different culture is also considered this (“What Is Culture Appropriation, Anyway?”). The action of learning about different cultures, languages, and making or

Middle Passage

1255 words - 5 pages that language and literary art all speaking and showing-clarify our experience" (Being 3). By questioning the African-American experience, Johnson radicalizes faith and is able to show the complexities of experience and change. Johnson’s examination into identity, which we can see as both human and textual, depends mainly on the appropriation for its literal and pensive methods. This contradictory space of allusion and appropriation, opens space

Australian Landscape and Identity

1922 words - 8 pages technique of `plein air painting` was one introduced to the art world by Monet and other associated artists in the impressionist period . By doing this the artist achieve a work that is painted not merely of "the persistent surface appearance of natural objects" - History of Modern Art , for this creates an equally flat picture , but to rather capture "the never-endingaustralian landscape and identity - question 3 - frames- cooper hay - year 11

Similar Essays

Finding Identity And Appropriation Art Essay

1032 words - 5 pages show a translation of cultures, a clash of east and west such as the symbolic artefacts of a globalism. The old Japanese culture and Western (American) consumerism discorded creating a bold, erotic and entertaining art works that combined reality with unreality, wit with critique and past with the present. B3 – YASUMASA MORIMURA Feminism, Finding identification, Gender identity Consumerism 1. Influence of appropriation by the post-modernist

Overcoming Notions And Finding Identity Essay

828 words - 3 pages importance, or identity. Absence of capitalization in the poem is symbolic of the main character's belief of what her role as a female should be. She believes that she must blend in, that she is lower than a man maybe even inferior. The initial line in the poem gives us a glimpse into her true desires. As we read "she wanted to be a blade"(line 1) our initial interpretation is that she desires to be strong like a steel blade, powerful and sharp

Joyce Wieland’s O Canada: An Intersection Of Pop Culture, Art, And Identity

1544 words - 6 pages , or parody of what Clement Greenberg called “Ersatz culture” and “kitsch”, which, to paraphrase Greenberg, represent the omnipresent abominations of commercial and replicated art (Greenberg 9). This essay will observe and discuss the interaction of Canadian pop culture, art, and identity in Joyce Wieland’s “O Canada (Animation)”, and will underline how works of Pop Art serve to elevate kitsch into “a new state of aesthetic dignity” (Eco 228

On Art Of Movie Posters Content: Comparison Of Two Movie Posters Thesis: Identity Of Motives And Diversity Of Expressive Techniques Make Up The Art Of Movie Posters

647 words - 3 pages movie remembered by as many people as possible. Similarly, in both posters, the names of the main actors and actresses are put in a place very easy to notice. This, of course, helps to attract more public attention by using the special influence they have.The two posters do have many things in common, while at the same time, their forementioned differences should not be ignored completely. Under the same purpose and principle, various techniques are used to make the movie more profitable. All in all, identity of motives and diversity of expressive techniques make up the art of movie posters.