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Finding Identity And Appropriation Art Essay

1454 words - 6 pages

‘Copying, reinterpreting, quoting, and translating are all terms that have been utilised as alternative descriptions for the phenomenon known as “appropriation”, the action of taking or making use of something without authority or legal right. This practice often involves borrowing, mimicking, or even stealing, and it is highly contested and criticized in the contemporary art world’ (Gorman, C 2013, p. 215). Appropriation in the postmodern decade brings various aspects such as cultural exchange and finding identity. From the number of contemporary artists used the appropriation in their artwork covers a wide range of media. Appropriation art, sometimes cause responses varying from astonishment and suspicion to praise and acceptance, depend on the viewers and the performance by the artist. This essay, then critically discusses two particular artists, Masami Teraoka and Yasumasa Morimura, who illustrate the appropriation in their art with similar and dissimilar concepts. The focus is on the visual arts, yet the argument of appropriation has significant effects for analyses of particular conceptualisations such as finding identity and dominion of cultural and intellectual chracteristics. (Schneider, A 2003, p. 215)

A satirical cultural viewer, Masami Teraoka brings his creativity from a variety of techniques, times, and genres. His artworks sometimes hilariously, sometimes critically, deliver narratives that explore controversial social and political issues. The clash of Asian and Western culture as seen in 31 Flavors Invading Japan (Figure 1) and McDonald’s Hamburgers Invading Japan (Figure 2) are only part of the matters addressed. Teraoka constantly blends culturally particular iconography with the current worldwide community, appropriates any accepted recognition of extremely imperfective in our human condition. Masami Teraoka’s artworks show a translation of cultures, a clash of east and west, especially in the symbolic artifacts of a globalism. The old Japanese culture and Western consumerism discorded creating a bold, erotic and entertaining art works that combined reality with unreality, wit with critique and past with the present. In Figure 1 and 2, Teraoka depicts to wry the collision of social issues, crafting watercolour paintings that illustrated from contemporary subjects; McDonald’s hamburger, corn with ice cream, white female and lots of nudity, completely joined together with traditional Geisha and Kabuki appeals to convey imperfect social and political commentary on globalised culture. Sometimes hilarious, but at the same time constantly provocative, Teraoka’s paintings are extremely individual configurations formed with humour, thoughts and techniques, his arts surpassing the restrictions of time and culture. Here is how Teraoka stated, ‘Integrating reality with fantasy, humour with commentary, and history with the present became my challenge. My early watercolour paintings were inspired by Ukiyo-e woodblock prints. These...

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