Gender Misidentity In Twelfth Night Essay

961 words - 4 pages

Society cannot describe or expound upon the significance of the identity of gender of oneself because the question has no finite and/or absolute answer due to the ever-changing variables in common ideology and thinking. The variables just mentioned are in correspondence to the time and amount of influence outside opinions have on oneself and his/her opinion about the matter. The fact remains that the subjective views of one’s personal beliefs equates to nothing in the presence of contravening, biased thinking of the society. People often tend to follow. It is the nature of our species to follow, for general acceptance among peers is the true catalyst of all decisions. In modern society, ...view middle of the document...

Orsino lusts Olivia, a strong attraction for her, yet this is his only catalyst of love. He is blind to this fact and is impervious to any obstacle that may lie in his way on the journey to winning Olivia’s heart. The reader begins to view the gradual accumulation of feelings for Cesario (Viola) when Orsino states, “If music be the food of love, play on; Give me excess of it, that, surfeiting, the appetite may sicken, and so die,” (1.1.1). These same-gender affections also interchange with the identity of the self as one gender versus another. Orsino also displays this trait when he says, “Cesario, come; For so you shall be, while you are a man; But when in other habits you are seen, Orsino’s mistress and his fancy’s queen,” (5.1.30).
The maiden, Olivia, is also a compelling character that Shakespeare incorporates into his piece. She possesses the same type of love for Cesario: lust. This is interesting because she truly, deep down in her soul, loves a woman. These lesbian affections for Viola confuse her because she is aware of certain abnormalities in Cesario’s behavior, yet she pays them no mind due to her blind lust for her. Olivia even goes as far as to wishing for a grant in marriage when she says, “Blame not this haste of mine. If you mean well, now go with me and with this holy man into the chantry by: there, before him, And underneath that consecrated roof, Plight me the full assurance of your faith,” (4.3.1). Viola (Cesario) does not possess the same feelings as any of the characters mentioned in the story. This is where this character and Malvolio are unique and separate. They are the only characters in the whole play that truly loves another character of the opposite sex. This is a rarity in the story, so when...

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