Of all the Impressionist artists, it is Pierre Auguste Renoir who is most interested in painting humans and studying the portrayal of human emotions. Renoir’s technique of broken brush strokes was combined with brash colours to portray the light and movement of the subject. He was greatly inspired to paint figures, particularly of women. Renoir succeeded in assembling several figures in one frame and his compositions were complex and demanded several revisions. In the 1880s Pierre-Auguste Renoir sought to move his art beyond Impressionism and to forge a link between modern art and the classical tradition of French painting from the Renaissance period. The result was this large-scale composition of nude bathers, which occupied much of his attention for three years. This work is unique in the history of modern painting for their representation of feminine grace, and they show Renoir’s ability to capture the soft and pearly texture of skin. Even though his figures in “The large Bathers” do not follow the impressionist style of broken brush strokes, the landscape in this painting seems looks like an impressionist landscape.
Renoir was actually the first Impressionist to slightly detach from the Impressionism direction. Renoir and his peers developed new techniques that defined the movement; their art was immediate, and it portrayed movement with great compositions and vivid colours. The public welcomed this original vision although art critics did not.
Comparing the two paintings we can see how different Pierre-Auguste Renoir was from a typical Impressionist artist such as Claude Monet. Even though both artists supported Impressionism, Claude Monet focused more on the nature part and on the effect of light and shadow rather than the figure, whereas Pierre-Auguste Renoir focused more on the human figure. We can understand this because Claude Monet’s figures are not that detailed and are drawn from a bigger distance compared to Renoir’s painting. Renoir’s on the other hand is focused more on the figure and draws them in more detail and from a closer perspective. Moreover Claude Monet was more interested in movement whereas Renoir was more interested in the nude. Despite some differences we can see that they both worked in the outdoors, combining the woman figure with parts of nature. Furthermore even though Renoir moved a bit beyond Impressionism for his work called: “The large Bathers,” he still kept the aspect of Impressionism in the background landscape.
The Cubist painters, such as Albert Gleizes, rejected the inherited concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two-dimensionality of the canvas. Les “Baigneuses” is still 'readable' in the figurative or representational sense. The painting represents a series of naked elegant women at various points in the landscape foreground, their reflections along with the blue of...