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Ibsen's Realism Vs. Videogame Realism Essay

2318 words - 9 pages

Realism: History repeating itself?“True realism consists in revealing the surprising things which habit keeps covered and prevents us from seeing.”– Jean CocteauIn 1879, Henrik Ibsen introduced a concept in his play A Doll’s House which would change the world of theatre forever: realism. The days of romance, melodrama and predictability were forced out the door to make way for surprise, intrigue, and real-life situations presented without any kind of sugar-coating. He shocked his audiences by presenting to them true life as it really happens, and because of the Victorian morality that enveloped the nation it was not well received. People disliked seeing truth on-stage in what Ibsen himself called a “contemporary tragedy,” as it was taboo to have families who were not perfectly happy, women who had power, or couples who didn’t love each other unconditionally. “Ibsen was greatly concerned that in his contemporary dramas the theatre audience (and readers) should be witness to trains of events that could just as easily have happened to them. This required that the characters in his dramas spoke and behaved naturally and that the situations had the stamp of being everyday life about them.” (Meyer 154)Over a hundred years later, a similar event occurred in which something which was previously taboo and inappropriate unleashed itself wholly on the public, with the same insurmountable controversy: videogames. Henrik Ibsen knew his realistic writing would have an effect on society in his lifetime, but he had no idea that his legacy would continue on to influence the gaming world. Despite the time difference, present day society’s reaction to realism in videogames, such as Grand Theft Auto and Call of Duty, mirrors the events which took place in the late 19th century, with only a handful of dissimilarities, and the initial shock will slowly fade away as realistic games become more widely accepted by the public. In the thousands of years that there have been audiences, and the thousands more to come, one thing has and always will remain the same: audiences always adapt.“We can evade reality, but we cannot evade the consequences of evading reality.”– Ayn RandUp until Ibsen’s introduction of realism, the stage had mainly been a vehicle for politically charged plays, or personal mementos that gave no real depth to anything in particular, but only subtle hints at the playwright’s personal feelings towards a subject. Never had anybody written something that blatantly broke taboos and forced its controversial tongue down the proverbial throat of society, such as Ibsen did with A Doll’s House. “The play [A Doll’s House] was an outrage described by furious Victorian newspapers as "..an open drain" and "a toilet" and met by protestors in several cities.” (Meyer 180) But who can blame the playwrights when entire nations were put under a strict law: whatever the leader says,...

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