In the science fiction novel Fahrenheit 451, Ray Bradbury introduces the universal theme of loyalty and continues to emphasize the pros and cons of what Relationships and pacts are simultaneously broken and developed throughout the novel; Montag experiences these interactions with static characters: Mildred, Faber, and Beatty. Mildred ultimately betrays Montag when she is afraid of his commitment in books; he attempts to openly spark a passion in their relationship. Faber, once afraid of fireman, befriends Montag because he feels it is the “right” thing to do; he follows Montag to the brink of danger, believing in what is correct. Beatty was considered “a [my] friend” and ultimately pursues to arrest Montag for defying the strictly enforced laws. Loyalty is defined by the breakable bond held by individuals; Montag experiences this natural humane connection as the novel progresses. Ray Bradbury expresses loyalty throughout the novel through the affiliations with Mildred, Faber, and Beatty.
Mildred admittedly turns in Montag’s books and betrays their relationship because of what will possibly happen if they were caught. She questions and denies all affiliations with her husband; she disbelieves her husband’s opinion on what books mean. On Montag’s statement
About how books are people, she responds, “Books aren’t people... You read and I look around… there isn’t anybody... My ‘family’ is people’” (73). She is clearly interested in her little mindless television shows than she is on her actual married husband. She doesn’t see what Montag sees, she literally “[l] looks around” as if she doesn’t realize the figurative language Montag is trying to display for her so she may also be embraced. Mildred doesn’t speak the figurative but the literal meanings of things; this dysfunction of their relationship eventually ruins their connection. In Plato’s Allegory of the Cave, this scenario of the novel resembles the event when the slave comes back from being enlightened of the outside world and is ultimately rejected by his peers that have yet to experience the extraordinary. The dysfunctional pact is devastated when Mildred rings the alarm for the firemen to arrive and burn their own house. As she “ran past with her body stiff... she shoved the valise in the waiting beetle, climbed in, and sat mumbling, ‘Poor family, poor family, oh everything gone” (114). Her “stiff” posture shows her tense and rigid behavior to leave the scene immediately; she seems to be confident on her decision. She murmurs about her television series “poor family” as she is driven away from the house and to another destination. This really presents how much she puts her technology in consideration despite having little to no concern about her once beloved husband. More or less, their relationship has deteriorated since the beginning of the novel, leaving it in desolation.
Faber openly assists Montag on his confrontation against the society and his friend captain Beatty. He is...