Kuleshov Essay

1337 words - 6 pages

When film first started gaining popularity, it want’s as obvious that be connecting two different images, we would assume their relation. Film simply document events that occurred, it wasn’t until the enterprising pioneers of early cinema took hold that they began to manipulate their audience into following a story their way and feeling it in those exact steps. Lev Vladimirovich Kuleshov a Soviet filmmaker and film theorist in the 1920s who taught at and helped establish the world’s first film school, the Moscow Film School. He was one of the very first film theorists and one the great pioneers of early editing regarded amongst worldwide filmmaker and he is famous for what became known as Soviet Montage.

From Kuleshov perspective, the essences of the cinema was editing was the act of placing two things near each other that contrasted each other. To show this principle, he created what we have come to know as today as the Kuleshov Experiment. There is a video of the Kuleshov experiment that is still currently functioning on the media-sharing site YouTube: The experimental video shows a shots of an actor Ivan Mozhukhin, intercut with various meaningful things a bowl of soup, a dead child inside a casket, a woman lying down. So it there was three shots was of an expressionless man looking at the camera, and juxtaposed that with three things mentioned (soup, child, and women). The actor doesn’t see them, they are mostly likely not connected, and quite frankly they could have been shot in separate places for all we know. It is the audience that voluntarily makes the connection, they assume they are directly related in some way in their head whilst consciously watching, the audience tries to create meaning by combining the two images and in thinking they change their perspective, the audience thinks starvation or hunger, death, and love whilst seeing the intercut between the actor and the images. Audiences conclude the man’s motivation purely on that shot that followed; he was “looking” at the dead child in casket, so he must be deeply sad and when he was “looking” at the women it could have meant lust or love. This is order to show how editing changes viewer’s interpretations of images and how film uses psychology. Kulsehov experimented with this and achieved the Kulsehov theory. This technique is known as juxtaposition, one the most effective tools on cinema just by juxtaposing a variety of concepts one can get a funny joke across, or complete lie across the audience.

Kuleshov coined the term collective geography to describe cinema ability to link entirely unrelated material into coherent sequences. This discovery provided filmmakers with arms of varies techniques to manipulate the audience but in this they also recognized the audience has an active in creating meaning. Kuleshov was not just concerned with editing; he believed that the key to effective filmmaking was in organization.

In addition to his theoretical work, Kulsehov was also a...

Find Another Essay On Kuleshov

Comparing Dziga Vertov's Film, Man with a Movie Camera and Run Lola Run

3025 words - 12 pages . During this time, the freedom to make films was limited due to low stock of supply. Vertov and his colleagues had to be very creative and innovative if they were going produce anything at all. 'The Kuleshov Workshop', a workshop class at the Moscow Film School led by Lev Kuleshov included famous Soviet filmmakers like Vsevolod Pudovkin and Sergei Eisenstein, but excluded Vertov. This is significant to the fact that Vertov was very different

Origin of Digital Species Essay

2264 words - 9 pages was able to create a documentary of the newly formed Soviet Union that visually embodied it’s philosophy. Kuleshov was the first cinematographer to experiment with the psychological effects of editing, and it was his groundbreaking work which contributed to the thought that the human mind was in essence a sophisticated machine. Working with black and white silent film, Vertov shot hundreds of images and then edited them in a method that related

Reality and Illusion in Shakespeare's Hamlet - Reality, Appearance and Deception

896 words - 4 pages Reality and Illusion in Hamlet   Shakespeare’s play, Hamlet, begins with the appearance of a ghost, an apparition, possibly a hallucination. Thus, from the beginning, Shakespeare presents the air of uncertainty, of the unnatural, which drives the action of the play and develops in the protagonist as a struggle to clarify what only seems to be absolute and what is actually reality. Hamlet's mind, therefore, becomes the central force of the

Sub-plots in Hamlet

1118 words - 4 pages Sub-plots in Hamlet   There are many things that critics say make Hamlet a "Great Work," one of which is the way that Shakespeare masterfully incorporates so many sub-plots into the story, and ties them all into the main plot of Hamlet’s revenge of his father’s murder. By the end of Act I, not only is the main plot identified, but many other sub-plots are introduced. Among the sub-plots are trust in the Ghost of King Hamlet, Fortinbras, and

Hamlet as Victim and Hero

1301 words - 5 pages Hamlet as Victim and Hero      Hamlet, Prince of Denmark, a Shakespearean tragedy, tells the story of Prince Hamlet, who gained the knowledge of a terrible incident that his kingdom had suffered. Claudius, the king of Denmark and Hamlet's uncle, had killed his own brother, the king, who was also the father of Hamlet, and married his brother's widow. Hamlet suffered these traumas to a severe degree, and his only relief was to defeat his

Essay on Light and Dark in Antigone

1188 words - 5 pages Use of Light and Dark in Antigone   The "Golden Age" of Greece is noted for its many contributions to the creative world, especially in its development of the play. These performances strived to emphasize Greek morals, and were produced principally for this purpose. Antigone, by Sophocles, is typical. The moral focused on in Antigone is the conflict between physis (nature) and nomos (law), with physis ultimately presiding over nomos

charant Creon as the Main Character of Antigone

1231 words - 5 pages Creon as the Main Character of Antigone   Throughout the Greek play Antigone by Sophocles, there exists a dispute as to who should receive the designation of main character. Antigone, the daughter of the cursed King Oedipus, as well as Creon, stately king of Thebes, both appear as the key figures in this historic play. I believe that Creon, king of Thebes, should be considered the main character in this work of Greek theater. Three

Free Macbeth Essays: Sleep and Sleeplessness

525 words - 2 pages The Sleep and Sleeplessness Motif in Macbeth We have consciences that function to tell us the difference between right and wrong. If we have clear consciences, we usually possess the ability to sleep. But when our consciences are full of guilt, we experience a state of sleeplessness. In Macbeth, Shakespeare uses the sleep and sleeplessness motif to represent Macbeth's and Lady Macbeth's consciences and the effect Macbeth's conscience has on

Life Outside of Life in Hawthorne’s Wakefield

898 words - 4 pages Life Outside of Life in Hawthorne’s Wakefield   Efficacy lies at the heart of human desires for immortality. Characters throughout literature and art are depicted as wanting to step aside and see what their world would be like without their individual contributions. The literary classic A Christmas Carol and the more recent, but ageless, film It’s Wonderful Life both use outside influences (three ghosts and Clarence the Angel

Essay on Identity in Song of Solomon

2172 words - 9 pages Searching for Identity in Song of Solomon         Abstract: Whether Africans really fly or just escape a monumental burden, perhaps only through death, is a decision Toni Morrison has apparently left to her readers. Never the less, no matter what you believe, within Song of Solomon, the suggestion is, that in order to "fly" you must go back to the beginning, back to your roots. You must learn the "art" from the old messages.   O

The Character of Oedipus in Oedipus and The Infernal Machine

904 words - 4 pages The Character of Oedipus in Oedipus and The Infernal Machine    The stories of Oedipus, as told through Seneca's Oedipus and Cocteau's The Infernal Machine, contain both similarites and differences. Both authors portray the character of Oedipus as being obstinate, ignorant, and inquisitive. Yet Seneca and Cocteau differ on their interpretation of the motives that propelled these characteristics of Oedipus. Seneca portrays Oedipus as a

Similar Essays

Editing Giants: Kuleshov, Pudovkin, Eisenstein Essay

2222 words - 9 pages ). This opening paragraph effectively sums up the integral role some Soviet filmmakers played in the development of cinema and in particular the art of editing. In this essay I will elaborate on three of the Soviet era’s most prominent contributors: Lev Kuleshov, Vsevold Pudovkin and Sergei Eisenstein, elaborating on the role they played within the development of modern day cinema and in specific their contribution to the technique of editing. Lev

Editing Giants: Kuleshov, Pudovkin And Eisenstein

880 words - 4 pages Filmmaker and theorist, Lev Kuleshov, is known today as the grandfather of Soviet Montage theory. His works include The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924), Death Ray (1925), The Great Consoler (1933) and We from the Urals (1943). Kuleshov’s life work has had a profound influence on the filmmakers around him and filmmakers today. One of his greatest triumphs was cofounding the Moskow Film School, the world’s

Soviet Montage Essay

617 words - 2 pages the process starts again. This theory could be applied to the example of the bull slashing scene from Strike(1925) Thesis: Bull getting his throat cut Antithesis: Revolutionaries getting mowed down by the state Synthesis: The state treats the people of Russia like cattle However, these were not the only experiments in montage being done. Lev Kuleshov was investigating how the human brain reacted to montages of images also. The Kuleshov effect

Analysis Of The Comedy Scrubs

3137 words - 13 pages convey to us what JD feels on his first day. The hospital is shown after JD says, 'This isn't just any day, it's my first day…', and we connect that statement to the hospital by what is called the Kuleshov effect. We consider music a key element of our show, so much that writers, cast members, and producers all scour local clubs and CD racks for bands we feel should be better known," said Bill Lawrence, "Scrubs" creator