Leonardo Da Vinci (Painting Done By Leonardo Da Vinci) Bibliography

1233 words - 5 pages

Leonardo da Vinci (Painting done by Leonardo da Vinci) Bibliography 1. Art Renaissance Italy?, John T. Paoletti & Gary M. Radke, Harry N. Abrams, 1997.2. ?Art and Society in Italy 1350-1500?, Evelyn Welch, Oxford University Press, 1997.3. ?World History, The Human Experience?, Farah Karls Glencoe/Mcgraw-Hill, 1997.Leonardo Da Vinci Leonardo da Vinci was Florentine artist, and one of the greatest maters of the High Renaissance, celebrated as a painter, sculptor, architect, engineer, and scientist. His overwhelming love of knowledge and research was the essential of both his artist and scientific accomplishments.Leonardo was born in the small town of Vinci, in Tuscany, near Florence. He was the son of a wealthy Florentine notary and a peasant woman. In the mid 1460?s Leonardo and his family settled in Florentine, where Leonardo was given the opportunity to have to best education that Florentine could offer for major scholar and artist interest of Italy.In about 1466 Leonardo was apprenticed as a studio boy to Andrea Del Verrocchio, who was the leading Florentine painter and sculptor of his day. In Verrocchio?s workshop Leonardo was introduced to many activities, as to the painting of altarpieces and panel pictures to the creation of large sculptural projects in marble and bronze. After working six years for Virrocchio in his shop, Leonardo in 1472 entered in the painter guild of Florence, but in 1476 he was still considered Verrocchio?s assistant.Leonardo became an independent master in 1478. His first assignment, was to paint an altarpiece for the chapel of the Palazzo Vecchio, the Florentine town hall, was never completed.His first large painting, The Adoration of the Magi was ordered in 1481 for the Augustinians monastery of San Donato at Scopeto, just outside of Florence, marks a significant moment of innovation in the tradition of the altarpiece. The painting show the Virgin and Child seated, surrounded by the retinue of the Magi, who kneel to present their gifts. In this work Leonardo use the painterly device of sfumato (?smokiness?) which is where washes of pigment create shadows so dense that hey blur the borders between one form and another, fusing them as if their physical forms were as continuous as the space created by the residual perspective scheme. The painting of the Adoration indicates that even at the early stages of the pointing Leonardo was preparing to use this revolutionary technique. The work of Leonardo was left unfinished in 1482 with just the underdrawing and ground painted in.Show after not finishing the Adoration of the Magi Leonardo left Florentine and headed for Milan. After getting to Milan Leonardo entered the service of the duke of Milan, Ludovico Sforza. Leonardo stated in a shocking letter written to the duke that he could build ships as well as armored catapults, armored vehicles, and any was machines; the he could build portable bridges; and also he could execute sculpture in marble, bronze, and clay. So...

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