Michelangelo’s Personality And Things He Brought To People

1122 words - 5 pages

Michelangelo is a prodigy. He left various kinds of artwork: paintings, sculptures, architectures and so on. Giorgio Vasari repeats a word “divine” in his writing “the Life of the Michelangelo” in order to describe Michelangelo’s artistic talent. As he praises Michelangelo by using the word “divine”, Michelangelo’s art works and techniques surely transcend human natures. Michelangelo’s attitude toward art was industrious and determined but stubborn and grumpy, which came from his childishness. However, he had a delicate heart. Although Michelangelo was diligent and resolute toward art but had a warped personality to get along with as if he were a child, he had made efforts to improve his artistic skills and suffered from harassment by other artists, and his personality and life had produced outstanding artworks as the result. Additionally, many marvelous works Michelangelo left still have kept influencing people living today by giving important messages.
True or not, many anecdotes about Michelangelo describe his assiduous and firm but headstrong and grumpy characteristics, and, further, express his strong influence to the public. The description that “[Michelangelo] counterfeited sheets by the hands of various old masters ... to obtain the originals from the hands of their owners by giving them the copies” describes Michelangelo’s positive learning attitude toward art (Vasari Part1). In addition, Michelangelo also learned anatomy by “flaying dead bodies,” which means Michelangelo learned studies beyond art by him (Part 2). This fact indicates that he did not set boundaries of category when it comes to learning. In these ways, Michelangelo learned art by any means, and his positive learning attitude infers that he was a perfectionist. As a consequence, Michelangelo’s artworks look real as if the events were actually being happened. Besides, the anecdote about his miming the recarving of the David for Piero Soderini shows his determination (Part 3). Not accepting any suggestions from people illustrates Michelangelo set a high value on making what he thought the best. This episode also represents his stubborn and grumpy characteristics because Michelangelo did not listen to Piero’s opinion and make any changes in his sculpture. His strong determination with regard to art sometimes turned out to his overconfidence. However, not all anecdotes about Michelangelo may be true. In fact, Vasari mentions that “[Michelangelo] has said that some persons ... have related things that never happened ...” at the beginning of his writing (Part 1). Since an anecdote usually comes from public’s interest, the existence of many anecdotes about Michelangelo indicates his big influence to the public. Perhaps, Vasari may have included untrue anecdote about Pieta and Michelangelo’s signature with a little bit of jealousy toward Michelangelo, but Vasari included some uncertain stories which he did not witness probably because he believed that those anecdotes well...

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