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Miley Cyrus´ Career Essay

1740 words - 7 pages

In the one-hour documentary, Miley: The Movement, pop sensation Miley Cyrus grants viewers extraordinary access into her exuberant and spirited life as she ascends to the top of the iTunes chart with her album Bangerz. As a teenage Disney princess, Miley accumulated millions of devoted fans; now, just a few years later, Miley’s suggestive music videos and public displays have permanently replaced the blond wig of her childhood image with an original and controversial persona while at the same time embracing her passion: music. Whether in the studio alongside Britney Spears, preparing for an unforgettable Video Music Award performance, or on set of her latest music video “Wrecking Ball,” Miley radiates confidence throughout her progressive self-discovery while continuing to inspire her supporters. Unfortunately, Miley’s Movement (Don’t fear persecution! Be yourself!) has channelled plenty of ridicule and judgement; however, while the twerking sensation radiates sauciness and eroticism, Miley readily deflects the criticism and continues to express herself freely. Miley Cyrus exemplifies the spirit and content temperament most teenagers today lack, and these aspects are what make her movement the perfect revolution.

Psychologists believe Miley’s newfound over-sexualized character is a result of her inability to cognitively deal with the challenging and tumultuous transitional period between adolescence and adulthood (Bruinius). However, according to Miley, her movement is not a transition. “I’m the same human, I’ve got the same heart I had five years ago,” she says. “All the things about me are the same -- same skin, same human -- it's a movement, it's a growth, it's a change” (Asare). Everyone develops as they culminate into adulthood; however, Miley’s pinnacling childhood was publicly displayed. “It seems like the core of the anti-Miley brigade is outrage over the fact that she's a former child star who is now, terrifyingly, a sexual being—which is simply a mix of nostalgic nonsense and puritanical nonsense” (Anderson). The difference is that now Miley has the chance to express herself without direction from others. “My whole life it was never about having control. Shit would just come out with my face on it, and that was it. So now nothing can have my face on it, my name on it, that isn’t dope -- that isn’t a part of the movement.” In an interview featured in her documentary, Miley adds a comparison between the lifestyles of other pop icons in their youth to her own. “Most people don’t have their kid photos put up and then be like, ‘She’s changed.’ Well, yeah. If you put up a picture of Lady Gaga at eight, and then Lady Gaga now, yeah, she’s changed” (Schillaci). Therefore, Miley’s new dubious movement into adulthood is not so out of the ordinary. Nonetheless, the essence of her movement embodies the revolutionary truth of self discovery, and teenagers worldwide who struggle with the fear of persecution should take note of her effortless...

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