throughout the scenes when he tells Nick that he demands to see Daisy once more. Once Gatsby’s command is apparent to Nick, he immediately tries to set something up. When Gatsby sees Daisy for the first time since they were adolescents, the readers could feel how nervous Gatsby was. This is another way how Fitzgerald made the readers understand just how much Daisy meant to Gatsby.
For Nick, Gatsby's lies, his affectation and his fraud are no matter; nor is his failure to win back Daisy; what matters is the supporting belief in the value of striving for a marvelous object, not its predictable disappearance and meaninglessness. In a significant shift in of the novel's final sentences, Nick unites Gatsby's effort with a general, if unspecified, national collective.
Although to Nick, Gatsby seems at once completely unoriginal, extremely knowable, being with him, he notes, was "like skimming hastily through a dozen magazines” (Fitzgerald 55). Gatsby, in Nick’s point of view, was disruptive. He is unable to trust Gatsby, for a fear that he would just vanish at the moment in which a promise leans toward its fulfillment. This process, according to Will, “is apparent in a number of scenes throughout the novel. Most haunting is Nick's statement following Gatsby’s confessional account of his first kiss with Daisy” (Will 129). Some readers might be reminded of a fragment of lost words that they had heard elsewhere a long time ago, while reading that scene. Nick's effort to speak is here seems to be awakened by Gatsby's own words, yet memory is also inevitably attended by a failure of vocalization.
“Gatsby's character promises to be revealed as meaningful and directed toward a significant end regularly prove to be contentiously vague. In the famous flashback scene, for example, Nick recalls Gatsby’s past…in order to explain Gatsby's present, portraying his youthful rejection of family and original name as a necessary precondition to his later glory as a wealthy, upwardly-mobile adult. Nick's account of Gatsby's adolescence attempts to cast him in a familiar mold: the self-made man, the spiritual descendent of other hard-working national icons. Yet the text consistently undermines these seeming causes of Gatsby's actions at the very moment of their revelation”. (Will 131).
Although the text oversees practical causes to Gatsby’s actions, the reader understands that Gatsby really isn’t the bad guy that the others make him out to be. In reality, he is a good guy who happens to be at certain places at the wrong time. The readers see this more clearly when the truth about Myrtle is unraveled. Gatsby wasn’t driving the car that night, in fact it was Daisy. However, he was willing to take the blame for it as long as Daisy was okay. He went over to Daisy’s later that night to see how well she was coping with what had happened earlier. He finds her in a frantic, not knowing how to overcome what she did to such an innocent person. Gatsby knows at this moment that he is...