Indigenous people groups over the world have been influenced by the presentation of advances of remote societies for several years. Some have not incredibly changed their lifestyles, while others have totally changed identities toward one self, whole social orders and perspectives. Current advances, particularly telecommunication and machine innovations, permit indigenous assemblies to partake in the bigger social orders and economies around them. These innovations likewise, empower them to save and advertise their lifestyle for their relatives and for our aggregate learning of mankind's history. (Rekhari 2009)
Various social researchers have addressed the potential held by information frameworks to structuring and supporting group. At the cutting edge, Paul Virilio has reprimanded new media innovations, and the methods by which they "virtualize" the physicalized understanding of scene, topography and society. His worry is that through new media there is an overemphasis on continuous versus real space or real life. (Jenkins 1992)
CULTURE AND COMMUNITY WHEN IT COMES TO NEW MEDIA.
The predominating discourse has been constrained to an upstage understanding of new media, as a set of advances that are forced on the general population, instead of as an instrument that might be utilized to accomplish generally and socially particular dreams. The understanding of media and innovations as rising up out of a focal source and vision has prompted the presumption that they have thus anticipated values that infer from the 'society commercial ventures' and reify power motion between the managers and buyers of the engineering (Horkheimer and Adorno, 1976). By distinguishing the conceivable outcomes for innovations to serve particular group points, new media can rather be seen as an impetus for new translations and elective ideal models (Hall, 1973).
As opposed to decimating some cultures, as some already predicted it might happen, these advanced technologies representation starting with the satellite TV transmission to communities of their own little scale. Feature productions have played a dynamic and actually revitalizing part for communities and other First Nations individuals, as an uncertain method for social safeguarding and creation and a type of political mobilization. The benefit of new media is clear not just in the account developments of aboriginal society history on their own terms, yet in coordinating it with Canadian innovation, embodied in the stream of TV. (Ginsburg et al., 2002: 41-42)
Digital songlines project is a research project, which leads to developing protocols, methodologies and toolkit to facilitate the collection and shaving indigenous community’s cultural heritage, using virtual reality.
Focuses more than simple visualisation.it aims at recreating an experience, a way of interacting with country by identifying the key elements giving each place its special cultural significance that an aboriginal group identifies...