This website uses cookies to ensure you have the best experience. Learn more

Outlook On Paintings And Art In John Berger's Ways Of Seeing

596 words - 2 pages

Ways of Seeing by John Berger was originally a television series on BBC that later was made into a book of the same name. It focuses on how we view and interpret art. More specifically, in the first episode, it focuses on paintings and how different one can interpret the specific painting based on many circumstances. The way our outlook on paintings and art changes depending on many things; one of them being where and how we look and see a reproduction of a specific painting.
With the invention of the camera, reproductions of art are made freely and paintings “can be seen in a million different places at the same time”. Now you can view art in the luxury of your own home and you can sit in your living room and watch art on television. The art comes to you, instead of you going to the art. What Berger is implying is that the camera has distorted art. Now instead of looking at original paintings, people just view reproductions and are satisfied that they have seen just the reproductions. But are the reproductions still as breathtaking as the originals? Simply watching paintings on your TV does not equal seeing those same paintings in their original form in person. Berger claims that reproductions distort the true beauty of art. Another way cameras can distort paintings is by removing the meaning of paintings as a whole simply by just zooming in. Berger gives a great example to describe this by showing Bruegel’s painting “The Road to Calvary”. As a whole, the painting is interpreted as the mourning of Christ, but as you zoom into specific areas of the painting, that comprehensive...

Find Another Essay On Outlook on Paintings and Art in John Berger's Ways of Seeing

Using Berger's "Ways of Seeing," to analyze George Inness's "Lake Trasimero."

895 words - 4 pages . The painting holds vast amounts of details hidden from an impatient viewer that seeks to be mystified immediately. Every detail holds an importance and is emphasized for the patient seeking viewer to analyze according to their own knowledge and beliefs. Below is a picture of the general area of where "Lake Trasimero" was painted. To place the real "Lake Trasimero" on regular computer paper would just be a grave injustice to the painting in the museum.Lake Trasimero (Wikipedia 2006)References:Berger, John (1972). Ways of Seeing. London: BBC/Harmondsworth: PenguinWikipedia (2006). Lake Trasimero. Retrieved April 23, 2006. Website:

Ways of Seeing by John Berger

1581 words - 6 pages The second visual essay in John Berger's “Ways of Seeing” is a showcase of images that depict the wealth and values of the upper class, and the productions of oil painting in the 16th,17th, and 18th century. The images in the second visual essay suggest that the subject matter of the paintings is dictated by the patron, and the values of the dominating upper class . I will investigate the following images more specifically in relation to this

Ways of Seeing by John Berger

1062 words - 4 pages In the book “Ways of Seeing,” John Berger explains several essential aspects of art through influence of the Marxism and art history that relates to social history and the sense of sight. Berger examines the dominance of ideologies in the history of traditional art and reflects on the history, class, and ideology as a field of cultural discourse, cultural consumption and cultural practice. Berger argues, “Realism is a powerful link to ownership

Ways of Seeing

998 words - 4 pages ability to devise one's own images. While images are more precise, therefore, I believe that imagined images based on text are far richer. Also, I feel that the idea of "when we `see' a landscape, we situate ourselves in it. If we `saw' the art of the past, we would situate ourselves in history," is, if not antiquated, then not necessarily true of the majority (p.11). I can honestly say that I have never looked at a landscape and situated myself

John Berger's Another Way of Telling

941 words - 4 pages In John Berger’s essay “Another Way of Telling,” Berger argues that photographs contain a “third meaning.” Berger claims that the third meaning is personal and relies almost completely on the individual viewer. As a result, no photograph can convey the same message to any two people and no two photographs can convey the same message to any one person. Here, the validity of Berger’s assumption crumbles. All photographs communicate one absolute

A Bruised Self Image: An Analysis of Conflict in John Keats' "On Seeing the Elgin Marbles"

1519 words - 6 pages bruised by the poor reception of his poetry. The realizations that we all "must die", and that attempts to attain immortality through art are in vain, leave this sonnet with a lasting and overriding sense of despair. Works Cited Keats, John. "On Seeing the Elgin Marbles." Ed. Abrams H. M. The Norton Anthology of English Literature, Volume 2 The Romantic Period through the Twentieth Century. New York: W. W. Norton, 1986. Print. Lord Byron

Thinking Outside the Box in "Ways of Seeing"

707 words - 3 pages paintings. If a person is unwilling to think "outside the box" it can cause a lack of appreciation for certain things in life such as art. Spontaneity can help in many ways to break the barriers of vision. This spontaneity can cause a person to find their own unique way of observing something new. Learning about things of the past can also break the barrier of history because this can cause greater respect for objects and lifestyle of the past. Work Cited Berger, John. "Ways of Seeing." Ways of Reading: An Anthology for Writers ed. Barthalome, David, and Anthony Petrosky. Boston: Bedford/St.Martin's 2002.

A Body of Truth? John Wiltshire's Outlook on Jane Austen's Sense and Sensibility

1989 words - 8 pages Although John Wiltshire's book Jane Austen and the Body is very well-written and in may ways fascinating, he falls short several times by either not fully explaining the significance of his findings according to his thesis, or by totally contradicting his thesis altogether. His very first paragraph in a sense contradicts his entire theme by saying,Jane Austen's novels, I will admit, seem among the least likely texts on which to found a

New Ways of Thinking in Science and Art

1262 words - 5 pages consistently being questioned and debated which help scientists and innovators come up with new ways of thinking. New ideas guide scientists into the right direction in order to find more facts to support the new theory. However, in the case of the arts, originality seems to be a key role. For an art work to be considered a masterpiece it usually has to be based on some previously discovered technique or fact. Both discovering new ways of

Dutch art of the seventeenth century shows a preoccupation with domestic life and material objects. Focusing on two or three relevant paintings, discuss the significance of this preoccupation

1413 words - 6 pages Dutch art of the seventeenth century shows a preoccupation with domestic life and material objects. Focusing on two or three relevant paintings, discuss the significance of this preoccupation.The still life paintings by Willem Kalf's 'Drinking Horn' and Abraham Van Berem's 'Banquet Still Life' paintings were produced during the enlightenment period of the 17th century, a Dutch Golden Age, in which the Dutch Republic was leading up to and

'The Apology' and how the study of philosophy has enriched the understanding of myself, especially towards your ways of thinking and outlook on life

746 words - 3 pages Every individual is different. Every person has his own personal ways of thinking and his personal outlook on life. Many find difficulty in understanding themselves. In my situation the study of philosophy helped me enrich the understanding of myself. My ways of thinking and my attitude towards life also were improved.'The Apology' (from 'The Republic') written by Plato helped me understand more about life and changed my ways of thinking. In the

Similar Essays

Art As Manipulation In Berger's "Ways Of Seeing"

1155 words - 5 pages Art as manipulation in Berger's "Ways of Seeing""To see only what is there is to be as blind as the night."Annalyn Joie Tran"Ways of Seeing" closely analyses the way we think about art. Indeed, perspectives on aesthetic production have a history, as John Berger states in the following phrases: "Today we see the art of the past as nobody saw it before. We actually perceive it in a different way." "Seeing comes before words," that is to say, the

How We Learn In John Berger's Ways Of Seeing

1039 words - 5 pages When a young toddler begins to speak, naming things they see around them, it is because they saw their parents do it. As they grow into a teenagers, they give names to things based on what they have heard from their friends and social media. This pattern carries into adulthood. The way we identify things reflects the progression of understanding art featuring woman, as explored in John Berger’s Ways of Seeing. He presents the idea in chapter

What Is Art? In The Context Of Jeanette Winterson's "Art Objects" And John Berger's "The Pocket"

807 words - 3 pages class might take a trip out to a local gallery simply for the purpose of looking at paintings and trying to reproduce them or to learn about the history of the arts. However, I do not believe that is the most important purpose of art. In Winterson's Art Objects, she claims, "the author is the vehicle of transformation ". I agree, except that I would say that art itself is the vehicle of transformation. As both Jonathan Berger in The Shape of a

John Berger: Ways Of Seeing Essay

1767 words - 7 pages SEE English 110 John Berger is an art critic who sees art differently from anyone else in his field of work. In the essay "Ways of Seeing" Berger has started "a process of questioning" based on perception. Berger's beliefs can be rooted from his Marxists background, which is formed of the premise that everything is for everyone. This questioning conceptualized on the idea that our civilization alters the way we see, view