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Paintings During The Renaissance Essay

887 words - 4 pages

The Renaissance was a turning point for art. Many new styles and techniques emerged from this time period. Compared with the paintings of the Middle Ages, during the Renaissance, paintings became more realistic and more attention was directed to the detail of each person. Perspective and a sense of depth and space were included in the paintings. We can examine these features in the 15th century paintings of the Annunciation by Botticelli and Campin.
The Annunciation was where the Angel Gabriel was sent to tell Mary that she will give birth to Jesus Christ. This sequence of events is recorded in the Gospel according to Luke in the New Testament. And behold, you will conceive in your womb and ...view middle of the document...

Botticelli's style can be described as elegant and gentle. Both Mary and the angel are illustrated beautifully and the human anatomy seems realistic and detailed. Boticelli also added haloes that rest above each of their heads indicating holiness. Also, a dim shadow protrudes out from the angel. The white lilies in the Gabriel's hand are symbolic of Mary's virginity and purity.
Another painting done of the Annunciation was done by Robert Campin, a Renaissance painter from the Netherlands (Workshop of Robert Campin). His painting was the centerpiece of the triptych, the Merode Altarpiece. Campin used oil paint, instead of tempura and frescos, which allowed the artist to add more detail. He also used perspective to create depth in his paintings. Evidence of this is how the ceiling and walls come towards a vanishing point. In the other sections of the triptych, that is also the case. Campin's style is very realistic and much attention was paid to detail. Every piece of furniture or element of the building (such as ceiling joist supports, arches, fireplaces, etc.) are painted with a lot of emphasis on little details. The angel and Mary are realistic and the shadows and folds of the clothes give us a greater sense of depth. No landscape is shown in the centerpiece but only some clouds seen through the window. Campin put alot of detail into shadows with each thing in the room casting a shadow. Mary, with her red clothing, is isolated from the rest of the room due to the contrast to the white and pale colors surrounding her. As with Botticelli's painting, white lilies are present,...

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