Panton Chair Essay

3599 words - 14 pages

Índice Información general página 2
Historia página 3
Función física página 4
Función estructural página 4
Función ergonómica página 5
Función social página 6
Función estética página 8
Coherencia funcional página 10
Documentación gráfica página 11
Bibliografía página 13

Información general Autor Verner Panton
Año de diseño 1960 Años de comercialización Desde 1967 hasta la
actualidad País Dinamarca
Modelos Panton Chair Standard, Classic y Junior
Estilo Pop, diseño escandinavo Material La Panton Classic Chair está
fabricada en una espuma dura con superficie barnizada, y la Panton Chair Standard de inyección de polipropileno teñido, con una superficie de brillo satinado.
Medidas Classic y Standard: 50x60x83 cm
Peso Classic: 8,32 kg Standard: 5,60 kg
Forma Una sola pieza con forma de S
Color Varios colores disponibles en su fabricación oficial
Empresa comercializadora Vitra
Precio Classic: 975 € Standard: 228 € Junior: 145 €

Historia La silla Panton, diseñada por Verner Panton (13 de febrero de 1926 en Gamtofte,
Dinamarca - 5 de septiembre de 1998 en Copenhague, Dinamarca), en 1960 y
desarrollada para su producción en serie en 1967 por la compañía Vitra, es la obra
cumbre de este diseñador, la que más le caracteriza. Fue la primera silla de plástico
fabricada en una sola pieza. Su técnica con base de oscilación libre, unida a la forma
ergonómica y al material flexible, confieren a esta silla un alto grado de confort.
Panton, diseñador industrial y arquitecto, ayudante de Arne Jacobsen y con quien
colaboró en varios proyectos, había diseñado antes de la silla Panton la primera Silla-S
voladiza de una sola pieza de contrachapado, que fue ideada junto con ThonetGmbH
en 1955-1956. Posteriormente, intentó trasladar dicho diseño a plástico durante varios
años. Entre 1957 y 1960 perfeccionó sus ideas, bocetos y modelos para alcanzar su
objetivo y en 1962 ya había tomado forma su concepto para la revolucionaria silla
Panton. El mismo año, Panton abandonó Dinamarca y pasó un tiempo en París antes
de establecer su estudio de diseño en Cannes. Durante este período intentó, sin éxito,
encontrar un fabricante para su diseño estrella, hasta que se puso en contacto con
Willy Fehlbaum, un fabricante de muebles instalado en Basilea que tenía autorización
para fabricar productos de Herman Miller. Aunque George Nelson, el director de
diseño de Herman Miller, no estaba convencido de la viabilidad del diseño, Fehlbaum
decidió que su propia empresa, Vitra, se arriesgaría a...

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