War holds the approximate greatness of a black hole, and is alike one in many ways. From times immemorial writers have used imagery, language appealing to one or more of the 5 senses, irony, things that go against what is expected, and structure, the way the story is written, to protest war. This form of protest has most likely existed since any point in which the existence of both war and written language intersected, and were a part of human life. Through the use of imagery, irony and structure, writers protest war.
Vivid imagery is one way with which writers protest war. Crane uses imagery to glorify, and shortly thereafter demean and undercut war, through the use of imagery, by placing positive and negative images of war close to eachother. “Blazing flag of the regiment,” and “the great battle God,” are placed before “A field where a thousand corpses lie.” (A) These lines’ purposes are to put images into the reader’s head, of how great war may appear, and then displaying that there are too many casualties involved with it. In Dulce Et Decorum Est, a man is described dying a slow, painful death, the description is abundantly detailed, in an attempt to make it nearly impossible for the reader to not have images of the man’s death in his or her head.
The use of deceitful irony is another manner with which writers protest war. Dulce Et Decorum Est translates from Latin to English to become “It is sweet and right to die for your country.” (B) It is displayed ironically, when the poem begins with descriptions of a battle-wearied soldiers. It progresses to the same soldiers being assaulted with, what is presumably, mustard gas, and one of them dying a slow, painful death, images of which would hunt the narrator’s dreams and nightmares for the rest of his life. The title of Crane’s poem, War is Kind, is also used ironically. It depicts the narrator talked to a maiden, a baby, and a mother, telling them not to cry about a man’s death, because, as he says, “War is kind.”
Structure is the final...