Rear Window Text Essay

1279 words - 6 pages

Classical Hollywood Cinema is a fundamental principal of film making. It is a style that consists of continuity editing, the three act story arc and character driven narrative. It is also referred to as the Classic narrative Cinema that started at the end of the silent era 1927 and ended sometime in 1960. Its roots go as far back as early European Cinema, Theatrical melodrama, and American Cinema melodrama. These traditions are present in modern day cinema in one form or another. Film theorist David Bordell coined the term of classical Hollywood cinema after viewing one hundred films of that same era and concluded that the period had a distinctive Cinematic style that used all aesthetics ...view middle of the document...

They are no different while decoding one of Alfred Hitchcock psychological thrillers, Rear Window. This essay will look into the film and take an oppositional stand point of the ideologies that are in the film. The film displays ideals that are rejected by today’s society, such as voyeurism, the oedipal trajectory, and social class of the neighborhood.
An ideology is a set of ideas and ideals of a group or a dominant class, which makes sense or explains a particular society. Ideologies are closely aligned to myths due to its construction. According to Susan Hayward’s summary of Karl Marx on ideology, “the ruling class not only rule, but they also rule as thinkers and producers of ideas and so control the way the nation perceives itself, just as importantly, they regulate the way other classes are perceived or represented” (Hayward 213). In other words, the higher class creates the beliefs on how the rest of the lower classes should be seen or what ideals they should follow. The lower classes do this to themselves to reinsure their nature of national identity. Cinema is used as an ideological apparatus. Hollywood puts their ideals on the screen and renders them invisible. Such ideologies that are on the screen are heterosexual and it is embedded in almost every genre. Other ideals consist of social class of an individual, the gender of the individual and the age. There are two states of apparatus that are spread ideologically on screen. The first is repressive, discriminates other people to in oppressive state, such as laws that discriminate against certain groups. Second is, Ideological state apparatus, covertly spreads ideologies such as family, church and school.
Hitchcock uses the reality effect in Rear Window to draw the audience more into the cinematic experience. He does so by making the protagonist look through the lens of his camera to view his neighbors and look inside their apartment and how they live their daily lives. By doing so, we see the world through Jefferies eyes and he himself becomes part of the audience. While viewing every apartment window we see how people live in their natural state and give the film a sense of realism. Each window shows what life was like, living in America in 1950. Each character represents different social classes. As Jefferies lens focuses on apartment complexes across the alley, it displays a capitalistic view of the tenants. On the top floor lives a hard working pianist in what appears to be apartment house suite with the great view and accompanied by other people that look well kept and pampered. His social standing would be of the upper class. In the middle we have a married couple with issues. The husband keeps her hidden behind closed shutters. They represent the...

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