Rembrandt van Rijn (1606 - 1669) is a well-acclaimed Dutch painter who has been recognized for his work during the Baroque period of 1645 to 1648. One of his works is The Mill, a 41.3” x 34.3” oil painting on canvas. This piece of work was about his landscape theme and is currently on display at The National Gallery of Art in Washington, D.C. The Mill is considered as one of the greatest art pieces of Rembrandt because of two major reasons. The art piece is naturally very attractive and it has served as a major inspiration to the taste of the viewers, as well as painters during the epoch. This painting has thus resulted in a signification transformation of the quality and standards of paintings. The Mill was well acknowledged by connoisseurs and artists because of the lasting impression the painting projects to the viewer (Schama, 1999). The painting impels a romantic atmosphere through the scene that is depicted in the painting. In addition, the presence of the silhouette of the mill that is positioned against the turbulent sky imparts a dramatic effect that compels the viewer to further imagination. There has been speculation that the painting actually depicts the mill of Rembrandt’s father, who is a miller himself. Another story that had circulated was associated with the stormy weather captured in the painting. It has been said that the stormy weather represented the terrible financial problems that Rembrandt experienced in the 1650s.
A recent restoration of The Mill has exposed that the background depicted in the painting was made up of blue skies that was earlier covered by varnish that had been discolored. Such discovery has further strengthened the expression of the art piece. Rembrandt’s extends a sensation that natural forces express some kind of dramatic conflict between the mill and the sky. Simultaneously, the persons situated within the landscape provide a human element that the viewer can react to on a personal level.
Rembrandt is regarded as one of the greatest painters of all time because of the quality of his art pieces. The details of his life were not many and it remains a mystery as to how he acquired or developed his intricate ability to capture specific scenes and landscapes onto canvass. It has been documented, though, that Rembrandt served as apprentice to the artists Jacob Isaacsz van Swanenburg and Pieter Lastman. It is most likely that his talent in painting was influenced by these two artists who had acted as mentors to the young Rembrandt. In another painting of Rembrandt, the Stoning of Stephen (1624), analysts determined that his style was evidently influenced by Lastman. Rembrandt also spent time with another artist, Han Lievens, and it has been reported that these two artists exchanged ideas.
After almost a decade of...