Renaissance Art Evaluation Essay

1307 words - 5 pages

Massys – Moneylender and His Wife
Massys portrait shows a man sitting next to his wife. The man appears to be using his left hand to count a number of coins which are situated on the table while his wife turns a page in a book. The book is very detailed and contains another portrait in it. The right portion of the book has pages that appear bent. Moreover, there is a mirror which projects a detailed reflection of the surrounding room. Behind these two persons there is an assortment of items sitting on a shelf.
Massys painting includes some characteristic elements of Renaissance artwork. One such element is found in the portrayal of seemingly normal individuals in the painting. Massys painting appears much like a modern family photograph. That is how Massys expresses humanism in the portrait. There is a large degree of realism in this painting, even though the manner in which the moneylender’s left hand appears is slightly awkward. The objects on the table, along those on the shelf behind the moneylender and his wife appear vivid and authentic. Both the moneylender and his wife are illustrated with splendid specificity. The book on the table contains a portrait within the overall portrait. The depiction of this family in this painting is rich in its depth which demonstrates Massys use of perspective. The painting appears to have three dimensions. This can be seen in the shelves behind them.
Whether it is the coins, the book, the mirror on the table, or the people themselves the amount of detail in this image is breathtaking and quite fascinating. Massys ability to paint a variety of objects into the image, along with the vast detail he accomplishes with them is astonishing. The painting appears convincing in its authenticity and impressive in its achievements. It appears as if someone could reach into the painting and pick one of the coins up and pull it out. Moreover, this painting is a wonderful example of art as a reflection of life.

Raffaello’s- Triumph of Gallatea
Raffaello’s painting contains a number of interesting persons. The central portion of this image features a vivacious woman clothed in a red garment standing on a boat that is pulled along by twin dolphins. Her hair is blown back by the wind. There are three small children with angelic wings swirling above her with bows and arrows drawn. The right portion of the image shows a woman sitting on the back of a centaur. There are some other mythological creatures in Raffaello’s painting.
Raffaello’s painting incorporates some characteristics of Renaissance art. An element that Raffaello features prominently in this painting is a love for classical themes. Raffaello’s depiction contains some mythological ideas like the centaur. Furthermore, another feature of this painting is realism. Raffaello puts a large amount of detail in the image even though the image depicts a mythological theme. The people in the image are portrayed with muscle tone, and with a distinct...

Find Another Essay On Renaissance Art Evaluation

Development of Art Throughout History Essay

1758 words - 7 pages culmination of decades and even centuries, of advancing realization in Greek art. We see the style moving into its most refined stages with hints of more beautiful and awe-inspiring works just over the horizon. One arm is relaxed while the opposite leg is also. The other leg and arm are tense. The head and hands are in perfect proportion and the figure looks as if it would move at any time.High Renaissance refers to the climax of Renaissance art from c

A Critical Note on New Historicism

3099 words - 13 pages also enlarge the horizons of learning. The term Renaissance is described as the birth of the modern world out of the ashes of the Dark Ages; as the discovery of the world and the discovery of man; and the era of the emergence of untrammeled individualism in life, thought, religion and art. In Renaissance England, critical thought evolves swiftly through four successive stages. The preliminary phase is the critique of style and language of

Key Characteristics of Gothic Architecture

1538 words - 6 pages not attempt to recreate the Romans and instead was an outlet for the “Goths and Vandals.” In truth the Goths had nothing to do with the Gothic style and the proper name before the Renaissance was the French style. But during the Renaissance “Gothic” was the name given to insult the non-Roman structures. These groups of people were seen as unsightly and barbaric in comparison to the Romans who were supposed to have perfected the art of building

Growing the Local Art Community

2223 words - 9 pages surprise and delight, I passed my first assignment. At that point I decided maybe “I’m on to something here”. Well week after week the Perception keys were assigned, Discussion Forums occurred and Application assignments were completed. Nevertheless through it all, it became a learning experience; a chance to think “outside of the box”, to become an Art critic and really take a look at art. I will be the first to admit that I was amazed at the

Multimedia Bible Studies: Evaluation Criteria

2671 words - 11 pages studies. “From Byzantine paintings and mosaics, to the great art of the Middle Ages and Renaissance, to the icons of Easter Orthodoxy, the church presented its message through the narrative storytelling of images” (Moore & Wilson, 2006, p. 12). Again, storytelling is a main means of communicating Biblical messages and values, but this time through a different medium. Ancient cathedrals were full of visual art because the statues, painting, and

Comparison and Contrast of the Taj Mahal and the Stupa at Sanchi

1620 words - 6 pages around the world, not only to pray, but also to see the beautiful Taj Mahal and the gardens that surround it. This concludes that the stupa is more sacred for the Indians, specifically the Buddhas, while the Taj Mahal is both sacred and a form of tourism and attraction. Evaluation: Ultimately, both artworks succeeded in what they are supposed to do. The main objective for Shah Jahan was to create a tomb for his wife that would never be forgotten

Army Suits Up for the Future

1405 words - 6 pages As times change for the types of warfare, also does the transportation, the armor, as well as the weaponry. From the caveman era with rocks wrapped with veins around a stick followed by the renaissance era with archers and swords. Then came the conquest of the Americas with single-round guns and light clothing, now today with automatic multi-round rifles and bulletproof armor. Some wonder what is next in the development of military technology

Soliloquy Essay - Hamlet's First Three Soliloquies

2141 words - 9 pages apparent from his analysis of the talented actor, looks upon playing as an elevated art and a form of art that can be manipulated.  Hamlet has "heard that guilty creatures sitting at a play have by the very cunning of scene been struck so to the soul that presently they have proclaimed their malefactions."  Often individuals are inevitably thrown into self evaluation or at least conscious thought when shown a depiction of

On Hamlets delay

1582 words - 6 pages William Shakespeare, perhaps the greatest playwright of all time, authored a number of works consisting of sonnets, comedies, and tragedies. In his brilliant career, Shakespeare created literary works of art. What makes Shakespeare unlike any other writer of his time, or thereafter, is his ability to organize a realistic plot, manage themes, and develop characters within his works. As well, Shakespeare¡¯s ability to provoke feeling and reaction

Leonardo And Aesthetic Style

1908 words - 8 pages Some feel that painting-an aesthetically pleasing art form- is the greatest of sciences; Leonardo Da Vinci is the principle advocate of such a philosophy, and with his works, he has undoubtably convinced many of his belief. Leonardo's talent is as evident as his strange style: he was a man that knew no boundaries. His visual interpretations of objects showed a complete mastery of form and substance. Although he showed absolute brilliance in

The Hippie Culture

2352 words - 10 pages and frivolous. Women wore saris from India and sarongs from Bali and Java and peasant-style blouses and dresses, reflective of a renaissance maiden. Velvet, leather, batik, denim, Indian cotton and silk were the most popular fabrics. (Miles, 2004) In Britain, young men began to adopt historical clothing based on Edwardian designs. The Teddy Boys wore long, fitted jackets with velvet collars, brocade vests, and drainpipe trousers. Jeans While the

Similar Essays

Writers Of The Harlem Renaissance Essay

2668 words - 11 pages it many black writers continue to enjoy success in all fields of literature and art. The Harlem Renaissance also gave the entire African American culture a new identity, which led them out of the degradation of slavery. Alain Locke described the shift in black self-evaluation in his 1925 work, The New Negro, as he said, ?The day of ?aunties,? ?uncles? and ?mammies? is equally gone. Uncle Tom and Sambo have passed on?. In the very process of

Nonfiction Essay

750 words - 3 pages church because Durer portrayed himself as the main character in his art, not the church or God. Furthermore, he incorporated his personal opinion of artists as individuals who are continuing God’s creation/work by attributing the characteristics of Jesus Christ such as the long, wavy hair to his face. Durer created this work to illustrate himself as Jesus like and important, not to display what the church believed. Both Northern Renaissance and

Audax At Fidelis Essay

1887 words - 8 pages , interest in antiquity (specifically art and literature of Greece and Rome), and desire for education not based wholly on church principles.   Works Cited "AP Test Prep: Humanism in the Renaissance." AP Tests: AP Test Prep: Humanism in the Rennaissance. N.p., n.d. Web. 13 May 2014. . "Basic Ideas of the Renaissance - ItalianRenaissance.org

Conditions Of Trade By Michael Baxandall

1318 words - 5 pages painting that reflected a society, but also engages in the visual skills and habits that develop out of daily life. The author examines the situations between the painter and client within the commercial, religious, perceptual, and social institutions, centrally focusing on markets, material visual practices, and the concept of the Renaissance period overlooking art as an institution. Baxandall observes Renaissance paintings also relate to the