Transcendentalism was an American philosophical movement of the first half of the 19th century, for which there is a reality beyond the senses and reason. (Ralph Waldo Emerson) (Poetic author) by making use of the transcendental Foundation in his essay “Nature” tells us that the true independence of the individual is achieved with intuition and direct observation of the laws of nature. For this conception when a human is in contact with nature, making use of intuition and observation, is able to make contact with the cosmic energy, the creative source of life.
The work “Leaves of grass” was written by Walt Whitman, an American poet of the 19th century. Whitman titled his work with this ...view middle of the document...
This verse is something like a declaration of arrogance because if Whitman, what says about itself does not fit to everyone, so does not serve at all. The poet will be returning to this idea many times, and insisting that the origin and perspective of his singing is never single but multiple. Moreover, it is clear from an important significance that in general the poetry of Walt Whitman, not only will fit beautiful, laudable, be worthy of our respect, but also be corrupt, secret and even miserable.
Whitman thinks that poetry should cover everything. For this reason, singing to myself has no distinction of gender, creed, age, wisdom or customs. In other words; Whitman singing is universal, not only because it fit men and their crimes, but also because it deals with and for the animal and what it does, night and perfect balance with the day, and by which, if inevitable, death is only among us to remind us that there is life.
Whitman says for him and for us that death does not exist, that the world is not a chaos, that it is a form, an element, a plan, that is eternal life and joy. Yet; how to do it without filtering his words through the prophetic?, Song of myself shows us the most visionary dimension of Walt Whitman, and the reason that comes to argue this fact is because to reveal a world, all nature, and the inventory of its large details or fundaments, requires a language that we take back to the legendary.
It is true that the poet has not come to establish philosophies, its goal is less cruel, wants to tell us about things, but as these things seem to be reborn thanks to his word, we notice them always as new. Whitman writes these pages as if it were an apostle and, however, like almost everything to which they refer is already part of our existence, does not have the inscription of a creation but the surprise of who removes the masks that prevent us from seeing deep.
With a language of this caliber, the reader understands that what the poet has to tell us goes beyond any logical deduction. Talking about the truth or about the existence, as Whitman does it, is to be immersed in a rich mythical twist where the given, loses character and is filled with a new substance that dispenses with words.
In section five the poem begins with a declaration "I believe in you my soul", here the poet personifies the soul giving it attributes, as if the soul was to answer. Nevertheless; can also be interpreted that when saying "my soul" is referring to his lover and not his own soul, and this as a personal interpretation of course. Additionally; through verses showing equal structure and at the same time different content "The other I am must not abase itself to you, and you must not be abased to the other", the poet establishes equivalents, tries to show the nature of the human being, because Whitman does not excludes anyone for any reason that is not their own nature.
The soul Whitman makes reference has powers of a body, a soul that murmurs and his voice...