State Theatre Essay

2125 words - 9 pages

At a hundred and four years old, the State Theatre still stands as one of Bay City's most recognizable landmarks. Despite floods, fires, and a century's worth of history, the theater proudly remains and operates on Washington Street. Dozens of events are put on there each year. Orchestras, Vaudeville, various musical groups, and comedians are just a few of the thousands of acts that have been housed within its walls. The building inside has been remodeled various times over the last few decades, and each time parts of the past have been found. Though there's a haunting presence, the six hundred seat house is still full for most events. The theater may not be run by the same employees, and the jobs have changed, but the theater is still as loved by many as it was when it was first opened. The State Theatre of Bay City has one thrilling past from its century of being alive!
Competition of other theaters was high in 1906 when The Bijou Theater, now known as The State Theatre, first opened on the “third floor of [the] Ridotto Building, located at the corner of Center and Madison Street in Bay City” (Greene). There was the “Alvarado, Lyric, Grotto, Temple, Roxy, Regent, Empire, and various Opera Houses, all located on [the theaters present day road], Washington Avenue, between the years 1870 and 1960” (LaLonde). On September 6, 1908 “the Bijou Theater was opened in a new building on Washington Avenue” where they joined the higher ranks of competition, and vaudeville was soon to be the main entertainment offered (LaLonde). “The building was owned by Worthy L. Churchill, and managed by Dan Pilmore” (Do you remember...?). In August of 1920 the Theater was renamed the Orpheum Theater, and in 1926 they began showing motion pictures (Greene). Many other theaters at this time began renovating there interiors, “in keeping with the progress of the motion picture industry the building was completely remodeled” (Do you remember...?). C. Howard Crane renovated the theater to resemble a Mayan Temple in 1930, and the theater reopened as The Bay (Greene). The theater had been purchased by Butterfield Theater chain and Crane was extensively hired by the company to renovate the theater into its new exotic design. “The eventual cost of the upgrading is said to have been $100,000. Crane successfully designed a Mayan theme through out the entire building” (LaLonde). Being under new ownership the theater was also under new management. The new theater manager was known as Floyd Ackerman, and it was said the theater was equivalent to a spouse for him with how much time he put into it. Ackerman got so caught up in his work he'd find himself going to the bank in the late hours of the night or even after late night shows. On “December 16, 1943” while going to the bank after a late night show, he was “murdered by Johnny Woos” (“History”). Floyd Ackerman is one of two men killed having to do with the theater. By 1957 not as much excitement had happened, besides the theater...

Find Another Essay On State Theatre

Why does theatre survive Essay

1295 words - 5 pages atmosphere between actor and spectator who are constantly aware of each other and the theatre?s level of engagement is fundamentally more human and more intimate.We are constantly being reminded that theatre is in a state of crisis, for one reason or another, financially and also from the point of view that theatre has in the 20th century outlived its usefulness. Both of these issues therefore make people question the place of theatre in modern

Ancient Greek Theatre and Drama Essay

1892 words - 8 pages ancient Greece all impacted the way theatre is today. According to NOVA Introduction to Theatre, when theatre and drama first began in Athens, amateur actors were chosen by the authors of the play. Later on, when theatre became more popular and competitive, professional actors were hired. This shift to professional actors started in 448BC (Trumbull, Eric). Once theatre became more popular, the actors were paid by the state. Actors became popular in

The Great White Way vs. The Sliver Screen

1292 words - 6 pages regular basis. One of the major differences between theatre and broadcast acting, and a notable characteristic of theatre, is that theatre always performs live. Because of this, the actors and actresses face the challenge of consistently recreating the quality of their performance for every show. This means that, no matter the conditions, they must perform at their best, regardless of the state of their emotions or health. Though the performers

The Coagulation of the Paper Cutlets

1250 words - 5 pages state of high alert, inundated with biased news and constant commentary, should theatre just be an escape providing only occasional prodding? The twenty-first century’s breed of youthful exuberance demands instant gratification. However, change is a gradual process. The thematic applicability of Shakespeare’s plays to our society is evidence of this. Community theatre’s increased emphasis upon community building and mental health will produce a

The Life of Robert Lewis: Method or Madness?

1004 words - 5 pages his hit book, named Method or Madness II, in 1990. Before his death, he was working on another book. It was never finished. In 1991, Lewis earned his place in the Theatre Hall of Fame. The Robert Lewis Lifetime Achievement medal was established that year and the papers of Lewis were collected, also, in 1991 to go into the Kent State University Special Collections and Archives. In New York City, on November 23, 1997, the world lost a dedicated

The Story of Pre-Modern Drama

1796 words - 8 pages romanticism, melodrama, musical, specialty, naturalism, and surrealism. Theatre also adapts to reflect the numerous challenges, political, social and world events of specific time periods. Playwrights voiced the issues that were being left unsolved or avoided by their political and world leaders. This, oftentimes, left them titled as “rebellious”, “enemies of the state”, or “bombastic”. Writers such as Ibsen, Shaw, Chekov, Synge, O’Neill, Kern and

Stratford Theatre Festival Case Study: The "Arts" As Lucrative Enterprises

1091 words - 4 pages Stratford Theatre Festival was the first major or permanent theatre built in North America in the 1900s.The Stratford Theatre Festival has also served as the launching point for Canadian plays from Michael Ondaatje, among others such as James Reaney and Tom Hendry.Stratford, before the theatre was established, was a town whose economy was dropping into a state of moribundity."By mid-February 1987, box-office receipts totaled over a hundred million

Ukraine After The Chernobyl Disaster in 1986

2140 words - 9 pages Thompson. (2006). What is Theatre of the Oppressed?: Image Theatre. Available: Last accessed 20th May 2014. Jaqueline D. Burleson (1991). AUGUSTO BOAL’S THEATRE OF THE OPPRESSED IN THE PUBLIC SPEAKING AND INTERPERSONAL COMMUNICATION CLASSROOMS . Louisiana State University: The Department of Communication Studies. 17-30. The Brecht Forum. (2007). AUGUSTO BOAL & THE THEATER OF THE OPPRESSED

Ancient Greek Theatre

1641 words - 7 pages The Greek theatre tradition of the time was rooted in the spirituality of its people, developed with the help and instruction from the politicians of the day and analysed by the philosophical contingent of the age. To discover how the theatre tradition of the fifth century was influenced by the spiritual, philosophical and political mindset of its time, one must first look at how the theatre of this age was first developed. The Greek

Biography of Boal Augusto

3467 words - 14 pages Biography of Boal Augusto *No Works Cited Brazilian Augusto Boal was raised in Rio de Janeiro. He was formally trained in chemical engineering and attended Columbia University in the late 1940's and early 1950's. Although his interest and participation in theatre began at an early age, it was just after he finished his doctorate at Columbia that he was asked to return to Brazil to work with the Arena Theatre in São Paulo. His work at the Arena

Performance Strategies

922 words - 4 pages war in Bosnia and the violent actions of the play and then encourages them to notice the possibility of the same violent conditions in Britain” This therefore highlights a main aim in which dramatic strategies have been used to illuminate. In order for Kane to express her themes and initial ideas of war to challenge and provoke the audience into a state of thought she employs not only the techniques of In-Yer-Face theatre but also borrows

Similar Essays

The Irish Influence Essay

1274 words - 6 pages towards careers in theatre, thus bringing new and innovative minds to the forefront of Ireland’s theatre. The Abbey Theatre also contributes directly to Dublin’s economic success. In 1925, the Irish Government awarded the Abbey Theatre a grant to help get them out of debt, and the Abbey Theatre soon became the first state subsidized theatre in the English-speaking world . This not only supported the theatre economically, but politically as well. It

Opposing Traditional Theatre Norms Essay

890 words - 4 pages building where actors and spectators arrange to meet, yet there is still disconnect between the two. It is precisely this division, “based on the notion of ‘spectacle’, of ‘mimesis’, of ‘imitation of life outside life’” (108) that Artaud rejected. Thus, he established the Theatre of Cruelty; a concept in which one reverts into a more primordial, raw state of mind and body, it was his attempt to rid the theatre of deception and elicit truth

Harold Clurman's Theatre Of Life Essay

2231 words - 9 pages directing, and lastly, I will explore his criticisms of the then-contemporary theatre, and draw conclusions to the current state of the Broadway theatre. Harold Clurman was born in New York to Jewish immigrant parents in 1901. At six years old, he attended a production at the Yiddish Theatre. Though he neither spoke nor understood Yiddish, the experience had a transformative effect on him. He immediately had a passion for the theatre. At age twenty

The Federal Theater Project Essay

1689 words - 7 pages Millions of people across the country roamed the streets in search of jobs, hoping to find some way to get the money they needed to feed their families. The Great Depression in the United States during the 1930s affected not only those who worked in jobs requiring physical labor, but those involved with theatre and the arts as well. The Federal Theatre Project was one of the Works Progress Administration (WPA)'s projects that was created to help