Story Of An Ideal Feminist Essay

1572 words - 7 pages

If it is wrong to judge people on the color of their skin, then it should be equally wrong to judge people on their sex. Feminism is described as the movement to end sexist exploitation, sexism and oppression. The feminism in Zora Neale Hurston's Their Eyes Were Watching God (TEWWG) is obvious and is presented through Janie. Janie represents aspects of feminism when she takes the initiative to liberate herself from each of her three relationships.
Through her marriage with Logan Killicks (Janie's first husband), Janie starts to deviate from the patriarchal tradition when he tries to use her to "increase his profits" rather than treating her as a companion. An example of this deviation ...view middle of the document...

Through her espousement with Joe (Jody Janie’s second husband), Janie has high hopes for her espousement to Joe, albeit she realizes he is not the man of her dreams. She eventually deviates from being submissive to Joe’s ideal of her being silent, and just looking alluring. She realizes that he does not represent “sun-up and pollen and blooming trees, but he spoke for far horizon. He spoke for change and chance" (Hurston 29). On the other hand, at a young hour in Janie's marriage to Joe, she distinguishes that "while he does give liberation of a sort from the mastery of Logan, he further limits her and makes another sort of command." He does this by not allowing her to talk in broad daylight, driving her to wear her long hair up, and disallowing her to standardize on the store's yard. Joe likewise rules Janie through demonstrations of physical and also verbal misuse. A case of physical misuse Janie persists happens when the dinner she gets ready for Joe doesn't turn out flawlessly: "So when the bread didn't climb, and the fish wasn't exactly done at the bone, and the rice was burned, he slapped Janie until she had a ringing sound in her ears [ … ]" (Hurston 72). Janie reacts to this abuse by withdrawing into herself: "she had an inside and an outside now and all of a sudden she knew how not to blend them" (Hurston 72). This is Janie's just protection system to keep her feeling of self entire and to keep Joe from shattering it. At long last, later in the novel, she battles over against one of Joe's episodes of verbal misuse. Before clients in the store, Joe scorns Janie by upbraiding her engagingness and sexual attractive quality. Janie hits over with words, "Naw Ah ain't no junior gal...but Ah'm uh lady every last bit of me...dat's uh entire parcel more'n you family say. You enormous stomaches around here and put out a great deal of gloat, however 'tain't nothin' to it yet yo' huge voice. Humph...when you draw down yo' britches, you look lak de change uh life" (Hurston 122-23). In response to Janie's upheaval, Joe is dumbfounded, so he turns to physical roughness and slaps Janie in a sad endeavor to make her psyche her ace. In this occurrence, Janie by implication sets Joe's passing in movement. He generally won't verbally abuse her in light of the fact that she loots him of the one thing that is most critical to him, his power. When Janie stands up to Joe, she wrecks his mastery, so Hurston discards his character in light of the fact that he wraps up his motivation in the novel. While the woman's rights may not be clear at the end of this relationship, it is there. Hooks gives the ideal depiction of Janie's newly discovered voice when she at long last opposes Joe's mastery and talks up: "Correct talking is not exclusively an outflow of imaginative force; it is a demonstration of safety, a political signal that tests the sexual orientation governmental issues of command that might render us anonymous and voiceless" (Bell Hooks). This...

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