The juxtaposition of still frames edited together to make a moving picture that tells a story. There are many counterparts that a makes up a film. You have the storyline, plot, characters, mise-en-scene cinematography and editing. Based on these counterparts and how they are orchestrated to portray a story, gives insight in which the audience follows along with the story and whether each counterparts contribute in a significant way to a plot to make the film a whole. How does editing contribute to the narration to a film? How does cinematography, the way the camera moves and mise-en-scene, what lies in the shot, contributes to the narration to make the film as a whole?
The film narrative is putting everything together, sound, actors, camera movements, setting, etc., to make a definite meaning of a story being told. Looking at different aspects of a film can show how they contribute to the narration of the film. For instance the cinematography in Citizen Kane, the editing in Inception and the mise-en-scene used in Double Indemnity.
In the film Inception scenes are edited together, cutting to different shots to show the different dream levels and the dangers that lurk within as you go deeper and deeper. It is edited to see what events are happening simultaneously in the other dream level above, so that the audience can get the gist of the story. If one does not know how to analyze film when first watching Inception they would be left in a state of confusion, but it is quite brilliant how the film operates. However, without editing, the movie would not be what it is; “editing is the creative force of filmic reality,” Pudovkin stated.
A sense of anxiety is felt when Yusuf is driving and gets stuck among the cars, which then flashes to shots with the others in the second dream level. There is hope that nothing happens in the first level but then you anxious to know what will happen in the second. Editing helps heighten anxiety by juxtapositioning scenes that would help build the films climax by taking out unnecessary takes and fitting in sequence of conversation to offer a comic relief and suspense. In Inception, the editing aspect does help with the narrative. This film is very dependent on editing considering that they computer generated imagery to construct some of the scenes, like the scene at the bistro and where Ariadne turned a building upside down on another. The editing contributes vastly to the narrative considering the film is based on dreams and within dreams anything can happen.
Each different level of the dream had a different mise-en-scene, it seemed realistic. Like for instance one of the first scene, the it graphic relation from Dom talking to an old Saito to when Dom was speaking to Saito with Arthur there giving him moral support, it wouldn’t have been realized that they were in a dream until it were stated or the fact that the outside world or the world above the dream, if they are in different level, has something that would...