This website uses cookies to ensure you have the best experience. Learn more

The Graduate: Cinematic Elements Essay

1149 words - 5 pages

The film, The Graduate, directed by Mike Nichols is an anti-establishment film that tells the story about the coming of age of a young man named Benjamin Braddock played by Dustin Hoffman. Ben who recently graduated from college with a Bachelor's degree is confused about his future. He is pulled in numerous directions by his parents, friends, and other acquaintances including Mrs. Robinson a married woman who is a close friend of the family. Mrs. Robinson played by Anne Bancroft initiates an affair with Ben. She wants to escape from her boredom and sees Ben as the perfect person to act out her fantasies with. As the story develops Ben comes to realize that he is in love with Elaine played by Katharine Ross, who is Mrs. Robinson's daughter. When Ben and Elaine start their relationship they are threatened by the malicious rage of Mrs. Robinson. She begins to hastily arrange Elaine's marriage with another boy named Carl (Dirkn20). Mike Nichols used several innovative cinematic elements such as the use of mise en scene, photography, sound, and editing in the production of this critically acclaimed film.Nichols has manipulated elements of the frame to suggest confusion and emptiness within the affair. Elements playing significant roles in the mise en scene of this sequence include the placement and staging of the characters in the frame, and the framing techniques. In many places throughout the movie, Benjamin is placed on the far right or the bottom of the frame. He is depicted as insignificant, small, and lost. In other shots, the camera captures him from behind an obstruction, framed, sometimes nearly obscured, by a piece of furniture or another character (Lorenc). In this short display of Benjamin's enjoying his leisure, his face with its blank expression is the dominant image, which draws the viewer's eye and fills the screen. Usually when a character is center, it is to draw attention to his impending actions or his power.Staging of the characters and props suggest a lack of human connection and intimacy. The proximity of Ben to other characters is constantly shifting. He floats in the pool, isolated-an island away from his parents. Then he climbs into bed, being touched by Mrs. Robinson, yet still mentally separated from the situation. Back to the pool and in bed alone, in a living room alone-no matter where he goes or what happens, he is constantly apart, psychologically. Throughout the movie, he closes doors to separate himself from people. The settings of the bare hotel room, the empty pool, and Ben's bedroom again suggest hollowness and yearning. And though this leaves a large area for characters to interact, they continue to remain in their own domains.Also, these bare spaces would suggest openness and freedom, except that they are framed tightly. Little space is left, especially at the top and bottom of the frame (Lorenc). This causes a claustrophobic effect and suggests the confinement and suffocation of the damaging relationship and of...

Find Another Essay On The Graduate: Cinematic Elements

Romeo & Juliet Essay

1698 words - 7 pages ) of Romeo and Juliet, Shakespeare’s famous play, have many similarities and differences between the two. They include several different literary and dramatic elements as well as cinematic elements in the balcony scene of Romeo and Juliet. A literary element in Romeo and Juliet is how Romeo describes Juliet as the rising sun. “It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon.” (2.2.3-4) This is when Romeo sees

To what extent do we trust the Bronenosets Potyomkin (Battleship Potemkin)?

657 words - 3 pages class family. Eisenstein studied at Petrograd's Institute of Civil Engineering. After the Civil War he went to Moscow, intending to study Japanese art. Eisenstein studied under Vsevolod Meyerhold. After his film "Strike" came out in 1925, Eisenstein was presented with a new project, "Bronenosets Potyomkin". The film took four months to finish and is one of the greatest cinematic masterpieces in history.Almost every piece of art created during the

Tim Burton Breakdown

1090 words - 5 pages Hollywood outsider-director who grew up under the influences of darkness. Tim Burton, the director of Charlie and the Chocolate Factory, Big Fish, and Edward Scissorhands, and various other movies, uses exaggeration in cinematic techniques and repetitive themes to show his unique and avant-garde style. Director Burton uses exaggeration in cinematic techniques such as music to convey a certain theme to the audience, showing his unique style. For example

style analysis

1247 words - 5 pages instantly became hits such as, Pee Wee’s Big Adventure, and Beetlejuice. Both of those led to one of his biggest successes, Batman. Tim Burton’s films interpret the theme; “Darkness may consume you, but remember there is always a ray of light present.” This theme is displayed in the movies Edward Scissorhands, Charlie and the Chocolate Factory, And Corpse Bride, with the help of sound, costume, and setting. One of the many cinematic elements used

D.W. Griffith

800 words - 3 pages four different stories into one and involving a climax in every separate story. You begin to see a common structure through all of the stories and I believe this to be effective in cinematic terms. I felt the scene that his development of new cinematic techniques could be best seen in was the car chase in the modern day portion of the film. Thought out the entire storie you are waiting for the husband to be cleared. Finally out side of the

Picnic At Hanging Rock

653 words - 3 pages The Film Picnic at Hanging Rock was a cinematic masterpiece that worked on a number of levels. The film interwined symbolizism and cinematic beauty to bring together a number of subtle themes trough out the film. Picnic at Hanging Rock challenged the viewer to understand it's meaning without obvertly stating it. This film gave an audience a chance to see a story told in a different manner than what most people are use to. Picnic at Hanging Rock

Gregory Crewdson's In a Lonely Place

1753 words - 7 pages of Rockwell’s image of what life should be. Time after time the most striking feature of any of Crewdson’s works is his incredibly powerful use of light. He uses the light to photograph such an eerily realistic picture that a viewer often stares simply waiting for the next slide to progress, and for the rest of the story to be told. His works present to the viewer as a cinematic picture not as a stationary one. It is these elements that show

Photographers Build a Narrative Story

1141 words - 5 pages 'fragment(s)' of time. Types of photographic narrative come in many forms, such as snapshots, mise-en-scene, tableau and time exposures. Focusing particularly on singular photographs, this discussion will talk about how photographers such as Gregory Crewdson and Cindy Sherman construct and stage narratives in their images in the cinematic theme, and how they originated. Photographic narrative does not necessarily follow the traditions of beginning

Cinematic Styles in Sholay, women on the Verge of Nervous Breakdown, and Amores Perros

1399 words - 6 pages Sippy's Sholay offers a model lesson on how sound can be used to signify the terror a character evokes, whereas some Indian filmmakers have paid close attention to the sound design of their films to combine aesthetics with realism in order to work out a smooth harmony between sound and other elements of film. Lastly, this film became a classic, opening a new path for the masala genre. A genre of films that contained a cinematic blend of an

Citizen Kane

2130 words - 9 pages Citizen Kane Citizen Kane is a story of a reporter trying to find the meaning of "Rosebud", the last words of the recently deceased newspaper tycoon, Charles Foster Kane. The film portrays the life of Kane through flashbacks of memories friends and co-workers tell to the reporter. The movie tells the rise and fall of Charles Foster Kane. Many remarkable cinematic elements are utilized in this film, granting it the title of one of the greatest

the power of sci fi

1907 words - 8 pages , through the use of cinematic style and narrative content Ridley Scott’s Blade Runner (1982) and James Cameron’s The Terminator (1984) use the figure of the Artificial Human or ‘Cyborg” to reflect the power of science and technology in the 21st century, along with exploring fundamental aspects of human nature. In contemporary society it is almost impossible to go anywhere without being confronted with some sort of science and technology. What

Similar Essays

The Cinematic Language Of Film Essay

1540 words - 7 pages camera angles, and elaborate props, to name a few aspects; and realism, a technique to make the action seem as true to life as possible. The list of techniques and styles of cinematic language go on, and can only be limited by the imagination. Early films, and early sound films both had something in common; they lacked many elements of the cinematic language. The reason sound films reverted back to the same pre-cinematic style of early films, was

Tim Burton Style Analysis Essay

645 words - 3 pages uses these unique camera angles in his films particularly to show his darker, more threatening characters. The effect of the low angles that Burton portrays potential antagonists contrasts with the effect of the front and back lighting that he uses to characterize his protagonists. The cinematic elements’ effects often used in Burton’s films are always clearly transferred to the viewer and are impressionable, and the style in which Burton delivers

A Summary Of Mary Ann Doane's "The Voice In The Cinema: The Articulation Of Body And Space"

537 words - 2 pages Mary Ann Doane discusses the use of voice in cinematic presentation in this article. She determines the acceptance of voice by the viewer by defining the phantasmatic body of a film. This body is the replica created by the technology itself. It is the body of the character and of the film. Voices within a cinematic presentation are assumed by the audience to come from this body, even if they are off-screen voices.The acceptance of this off

Sweet Smell Of Success Movie Review

841 words - 3 pages , Elements of Cinematic Composition, and Techniques for Specialized Visual Effects. I found the sections on the importance of visual image and cinematic points of view to be both most intriguing and relevant to the film Sweet Smell of Success.Before I analysis the movie in connection with the chapter I am going to provide a brief analysis of the film. Sweet Smell of Success is a 1957 American film noir made available by Hill-Hecht-Lancaster Productions