This article will focus on the early and pioneering development of new and emergent sounds and music recording formats and their impact on the earlier analogue music industry. Through this historical research and analysis, the paper will report on how the early digital music pioneers applied these new technologies, techniques and procedures in the production of music and sound.
Analogue Being Replaced by digital
Digital recordings are made with ones and zeros, while analogue recordings are made with linear bumps and dips. While the digital fabric is not as particular as analog information, it can be applied with additional digital devices, such as PCs, making editing and reproduction ...view middle of the document...
Without this price barrier in place there has been a vast inflow of product which doesn’t always fit very good measures.
The early digital music pioneers
Pioneers in music based digital recording
According to the legend, Thomas Edison was the first person to successfully record sound (Mary had a little Lamb) on a tinfoil cylinder phonograph. During World War 1, Edison experimented on many war problems for the US government. For his efforts, honors and awards were bestowed upon him. Edison is thought of as one of the greatest inventors of all time because of the amount of inventions he has made in his life. (Heyward, 2012).
Valdemar Poulsen first created the concept of magnetic recording. In 1898 Valdemar Poulsen obtained his a Patton of his Magnetic Telegraphon , it was a device similar to Edison’s cylinder but instead of direct sound pressure the Telegraogon used a microphone and electricity and recorded sound onto steal wire magnetically. The analytical next stage for magnetic recording was multi-tracking. Trials on multi-tracking began as early as the 1940’s. Magnetic tapes would be attached with 4 heads equipped with recording abilities; the heads could then record up to 4 simultaneous tracks on one tape. This meant that bands could be broken up into segments (rhythm, horn, vocal, etc.)
Impact of digital recording on today’s music
Kraft. Verk is a German pop group. They pioneered a highly micronized, highly influential music style they named ‘Robot Rock’. The songs were devoted to the joys of motoring, bicycling. Brian Eno has described their music as “nostalgic from the future”
(Fact Music, 2009). Kraft. Verk has influenced many modern Pop, R&B and Techno music it can be said that ‘Kraftwerk influenced the birth of electronical music’ (Walsh,M 2012)
it can be seen in many peaces of music like ColdPlay “Talk 2005” Kraftwerk “Computer love 1981” or Jay-z “Always be my sunshine 1997” Kraftwerk “the man machine 1978”
Techno drum and bass and dance music has become so mainstream. All dance and no guitar is this a problem. As a term applying to a certain form of dance music the minimalist sub-genre of techno, electronic cuts made in the made 80’s were like Juan Atkins, Kevin Saunderson, and Derrick May. Techno has become a catchall pop buzzword: this year's dirt. When an brazen Europop record like 2 Unlimited's "No Limit" --think Snap, think Black Box-- blithely comprises a rap that goes "Techno techno techno techno," you recognize that you're breathing inside a major pop phenomenon.--J.Savage: “Machine Soul” (1993)
Moog developed an analog synthesizer, a large enhancement over the original, room-sized synthesizer created in 1955 by the RCA Corporation, which traded for $100,000. Over the years, Moog improved the instrument with stereophonic and polyphonic sound, allowing musicians to carry on multiple musical lines and harmony. (BIO, 2014)
Italian producer composer...