Pecola ends up isolated at the edge of the town, lost in her own world of madness because she loses touch with reality. She realizes no matter how much she tries to change her physical appearance, she’s never appreciated. She lacks the confidence a young female deserves to have. Someone with a mind of lust interrupts her life and it automatically changes everyone’s perspective of her, from worst to even worse. Is it her fault or is this a question that remains unanswered?
Back then, beauty was the true definition of perfection and just simply being white. The Breedloves believe they deserved to be poor and pushed their ugliness outward into the world. They were convinced that they were black and ugly, that society was inclined to view them as ugly, which all leads to Pecola’s low self-esteem. “It had occurred to Pecola sometime ago that if her eyes…were different, that is to say beautiful, she herself would be different” (Claudia 46). “In equating physical beauty with virtue, she (Pauline) stripped her mind, bound it and collected self-contempt by the heap. She forgot lust and simple caring for” (Claudia 22). Being surrounded in a home of negativity, such as Pauline’s thoughts, made Pecola wanted to feel loved and beautiful. She responds to her home life by wanting to physically transcend away from it.
Love, it’s just a word that isn’t showed quite so often. It was all a young girl ever dreamt of, just the feeling of what it felt like to be loved. “Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe” (Claudia 206). How could one feel so invaded by their own blood, their father? “He would rather die than take his thing out of me. Not until he has let go all he has, and give it to me” (Pecola 40).
Pecola lacks a father figure. For a while, she was a temporary foster child, all because of her drunk father. “Cholly Breedlove, then a renting black, having put his family outdoors, had catapulted himself beyond the reaches of human consideration” (Claudia 18). Not ever having her own family to confide in her, she simply creates her own friend, an imaginary one who she could tell everything to when no one else seemed to care. Her imaginary friend expresses her subconscious desire for acceptance, love and friendship. “You are a real friend. I’m sorry about picking on you before. I mean, saying you were jealous and all” (Pecola 196). Most importantly, this friend represents the ease...