In the story, The Natural, certain characters and events are portrayed in a distinctive way that makes this story unique to other books and shows the typical writing style of the narrator. The author uses a repetitive writing technique that is impossible to overlook. The writer of this book is able to catch the reader’s eye with his concept of the importance of beautiful description. The Natural, by Bernard Malamud, uses great imagery that makes the story appealing.
In the beginning of The Natural, Roy Hobbs is a young man who has his whole life ahead of him. He is being picked up by a scout and is looking forward to a career in the major leagues. Malamud shows imagery in the story to highlight turning points and moments that have great importance by saying, “The bullet cut a silver line across the water. He sought with his bare hands to catch it, but it eluded him and, to his horror, bounced into his gut. A twisted dagger of smoke drifted up from the gun barrel. Fallen on one knee he groped for the bullet, sickened as it moved, and fell over as the forest flew upward, and she, and muted noises of triumph and despair, danced on her toes around the stricken hero”(Malamud, 28). Harriet asks Roy if he will be the best in the game, and when he says yes, she shoots him in the stomach. This is a turning point in the story because Roy realizes that his chances of playing in the major leagues are fading away. Roy is worried about his health and whether or not he will get another opportunity to play baseball.
The story’s initial setting is Roy on a train with his scout, Sam Simpson. Malamud gives the reader information regarding where the story is taking place and where Roy has come from with great imagery when he writes, “As the train yanked its long tail out of the thundering tunnel, the kneeling reflection dissolved and he felt a splurge of freedom at the view of the moon-hazed Western hills bulked against night broken by sprays of summer lightening, although the season as early spring.” (3) Early one raining morning, nineteen-year-old Roy Hobbs is riding a train through a tunnel to Chicago, where he is to try out for the Chicago Cubs baseball team. Malamud’s auditory, visual, and tactile imagery depicts the first scene. This gives the reader foreshadowing into what may occur later in the book.
Malamud creates, Roy, a character who prevails and performs his best under pressure. When Roy is up to bat and the pennant title is on the line, Malamud throws the reader for a twist by stating “As Roy started a fog blew up around the young pitcher, full of old ghosts and snowy scenes. The fog shot forth a snaky finger and Roy carefully searched under it for the ball but it was already in the catcher’s mitt” (181). In this description, Roy strikes out in the “foggy” climax of The Natural. This is the biggest turning point and disappointment the reader has to face in the book. The author deceives the reader by making him or her believe Roy is a...