"The Removalists" Is Widely Considered To Be Australia's Most Recognised Plays English Year 11 Essay

650 words - 3 pages

The Removalist
"The Removalists" is widely thought to be Australia's most acknowledged plays and it has created a very disputatious and a very "Australian" squint of Australian society during the early 1970's. David Williamson's "The Removalists" is about power: people who gain power, people who lose power and those who misapplication and abuse power. Everybody knows that without power they are not considered in today's society. In this play, people react to the power of choice in very diverse ways. Both ganders in the play explore their own sources of power through sexual intimidation and physical violence. The tensions between the characters in "The Removalists" and their various types of power along with a strong sense of realism create an extraordinarily provoking piece of theatre. David William's play is a very naturalistic piece of work even though fundamentally "The Removalists" was not meant to be a realist play; it was a very dark satire on the worst aspects of Australian male and female behaviour. He draws an image on how different lifestyles, situations, and backgrounds vary the way that people talk and the words that are used. When the play was first shown the language shocked the viewers as though no one spoke like this but that wasn't true the spoken word that was used in the play was fairly common. The spoken word refers to the way people speak and the many variations and styles according to the speaker's background, situation, and lifestyle.
The influence of aggregation and the abuse of authority is moral decay and the undermining of ethics and values. Williamson’s perceptive and authentic characterisation of Sergeant Simmonds’ frames his evaluation of the corruption authority. Simmonds is inducting new police recruit Constable Ross on his first day at the Melbourne station. Simmonds insists on knowing everything about Ross. Simmonds’ opening dialogue closely establishes his abrasive and violent character. He strips away Ross’ confidence and his personal questions, probing about what his “old man” does...

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