The Role Of Women In Chinua Achebe's Things Fall Apart

3673 words - 15 pages

More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart.  The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will represent the rest of Nigeria -- and a great many of the nations of Africa. Sociocultural Background

Were Nigeria and Africa oppressively masculinist? The answer is, "Yes." Ghana was known to have some matrilineal societies, such as the Akans; but Nigeria's traditional culture, Muslim as well as non-Muslim, had been masculine-based even before the advent of the white man. The source, nature, and extent of female subordination and oppression have constituted a vexed problem in African literary debates. Writers such as Ama Ata Aidoo of Ghana and the late Flora Nwapa of Nigeria have insisted that the image of the helpless, dependent, unproductive African woman was one ushered in by European imperialists whose women lived that way. On the other hand, the Nigerian-born, expatriate writer Buchi Emecheta, along with other critics, maintains that African women were traditionally subordinated to sexist cultural mores. I ally myself to the latter camp. I believe that, in creating a masculine-based society, Achebe was merely putting literature to mimetic use, reflecting existing traditional mores. Colonial rule merely aggravated the situation by introducing a lopsided system in which African men received a well-rounded education while, like their European counterparts before the mid-nineteenth century, African women received only utilitarian, cosmetic skills in Domestic Science Centers -- the kinds of skills that only could prepare them to be useful helpmates of educated, premier nationalists and professionals such as Nnamdi Azikiwe, Nigeria's first President, and the late Obafemi Awolowo, the Yoruba tribalist leader.

Things Fall Apart is significant because it began the vogue of African novels of cultural contact and conflict. It has been translated into over twenty major world languages. Commensurate with its popularity, images of women receive attention. In a style that is expository rather than prescriptive, Achebe s novel mirrors the sociocultural organization existing in the Africa of the era he describes. Like Zora Neale Hurston's Janie Mae Crawford (when married to Jody Starks), Achebe's women are voiceless. But where even Janie is highly visible, his women are virtually inconsequential.

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