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"The Tragedy Of Othello" Essay

2123 words - 9 pages

In the play "The tragedy of Othello," written by William Shakespeare, it can be seen that several of the main characters involved are subjected to the trials and tribulations in the spectrum of emotions experienced by human beings. The overall theme is a brilliant yet down to earth portrayal of frailties and strengths in the human condition--a condition that runs the gamut from a desire to be loved, a hunger for acceptance, weakness through betrayal, the bitterness that results, and a longing for forgiveness that supercedes any other emotive pleas or events throughout the whole play and in the movie by Castle Rock Entertainment; on the play as well. These emotions and traits may seem ...view middle of the document...

One of the ways this can be witnessed is in the scene where Iago shoves Roderigo into the open while the two of them are standing on the deck of the boat in the canals underneath Brabantio's balcony. Iago is hiding behind a turret on the deck, and Roderigo is the person in the open shouting the recriminations about Othello to Brabantio. This act is mostly forgiven by the audience since Roderigo is not only in love with Desdemona he hates Othello for his position. The audience can relate to Roderigo's passions and his desire for a woman that he can never have. Unfortunately, Desdemona is his biggest weakness. You need some in-text citations on the film in this paragraph..In the realms of literary criticisms, there are many assorted viewpoints about the main characters. For instance, the character Iago is portrayed in the book "Literature: Reading Fiction, Poetry and Drama" as being a cold hearted and ruthless schemer that has no loyalties for anyone but himself. One soliloquy Iago makes follows: "Thus do I ever make my fool a purse; For I mine own gained knowledge should profane If I would time expend with such snip But for my sport and profit. I hate the Moor, And it is thought abroad that 'twixt my sheets H'as done my office. I know not if't be true, But I, for mere suspicion in that kind, Will do, as if for surety. He holds me well; The better shall my purpose work on him. Cassio's a proper man. Let me see now: To get his place, and to plume up my will In double knavery. How? How? Let's see. After some time, to abuse Othello's ears That he too is familiar with his wife. He hath a person and a smooth dispose To be suspected--framed to make women false. The Moor is of a free and open nature That thinks men honest that but seem to be so; And will as tenderly be led by th' nose as asses are. I have't! It is engendered! Hell and night Must bring this monstrous birth to the world's light." (1.3.351-372) However, in a published document by Tucker Brooke he states that "We are prone to turn our scandalized backs upon Iago and flatter ourselves, as our ancestors have been doing since the days of Samuel Johnson, that the rogue shall never beguile us; and thus we miss the many evidences that Iago was to Shakespeare intensely, even romantically, attractive." (Brooke VII) It's obvious that some literary critics, as well as Shakespeare, feel very differently about Iago.The disparity between opinions is present in beliefs and comments about Roderigo as well. Some see him as the "vainglorious Roderigo" ( University of New Mexico) engendering feelings of general distrust of him, while others see him simply as an "indiscernible soldier under Othello's command and under Iago's control," (Marion, Spitzer) and hardly worth their notice or attention. Roderigo is such an important figure in "The Tragedy of Othello" that it hardly seems believable that anyone could casually overlook his part to be played in the schemes cooked up by Iago. Roderigo plays an integral...

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