This website uses cookies to ensure you have the best experience. Learn more

The Transformation Of Benedict In Much Ado About Nothing

1596 words - 6 pages

The Transformation of Benedict in Much Ado About Nothing

In "Much Ado About Nothing" Shakespeare manages to transform Benedict
from a bachelor to being in love with Beatrice. Shakespeare does
extremely well to make this change of character seem believable as it
such a big one. Shakespeare does this by using key scenes to gradually
reveal the true relationship between the two. This transformation is
especially interesting as at the beginning of the play he argues with
Beatrice and declares he will always be a bachelor.

In Act I Scene I when the visitors arrive in Messina, Benedict appears
to be an arrogant, patronising womaniser. In this scene Benedict has a
merry war with Beatrice and from lines like "In our last conflict four
of his five wits went halting off" and "You always end with a jade's
trick, I know you of old" from Beatrice it seems like the two have
previously met and there is some history between them. In this war of
words we see the arrogance of Benedict when he says to Beatrice "I am
Lord of all ladies, only you excepted". From this opening scene we can
see Benedict's character and it is obvious he is not scared to speak
his mind or give an honest opinion, no matter how harsh it may be. An
example of this is when Claudio asks Benedict if he finds Hero
attractive and Benedict replies ?I can see yet without spectacles, and
I see no such matter?. We also see from this merry war that Benedict
enjoys entertaining his friend and one possibility could be that he
doesn?t change as the play goes on, maybe he loved Beatrice the whole
time and he had been hiding it behind his humour.

When Benedict poses as someone else in the masked ball, this is the
first clue that he actually cares what Beatrice thinks or he would not
have gone through the hassle. As Beatrice pretends to talk about him
behind his back, we see another side to Benedict?s character. He seems
to be hurt by Beatrice?s comments that ?he is a princes jester? as
unusually for Benedict he doesn?t say very much and uses shorter
replies to her remarks than usual. This episode is the first part of
Benedict?s transformation and we see he is not quite how he describes
himself in the opening scene as he does care what Beatrice thinks and
when he says ?I would not marry her, though she were endowed with all
that Adam had left him before he transgressed? it shows that he has
actually thought about marrying Beatrice.

In Act II Scene III Benedict has a very long soliloquy at the
beginning. This is possibly the most important of all the scenes in
this transformation as we see Benedict change his mind when he learns
of how he thinks Beatrice feels. In his soliloquy he says ?I do much
wonder that one man? become the argument of his own scorn by falling
in love?. This line shows that Benedict is still very...

Find Another Essay On The Transformation of Benedict in Much Ado About Nothing

Much Ado About Nothing Essay

1223 words - 5 pages William Shakespeare wrote the play the play ‘Much Ado About Nothing’ in approximately 1598/ 1599. The title ‘Much Ado About Nothing’ means ‘Much fuss about nothing’. This is a metaphor for the events including Hero and Claudio. One of the main issues raised is that back then and even now the fact that there is not enough of an equality and that women do not have enough self assertiveness. The way that Beatrice is represented in this play

"Much Ado about Nothing" Essay

1364 words - 5 pages "Much Ado about Nothing" is originally set in Spain but Kenneth Branagh has decided to situate it in the sunny countryside of Tuscany. The film was set in The Pink Palace and its surrounding grounds.In the film of "Much Ado about Nothing," the garden scene begins with the music, which is very happy, and it is leaving the tension from the previous scene. The first visual occurrence is a high angle shot of the garden and the house. This I think is

Much Ado about Nothing

1370 words - 6 pages others. Both types of deception, affect an individual’s life, happiness and relationship with other individuals. In William Shakespeare’s play, Much Ado about Nothing, Shakespeare develops the idea that deceptions do not always have to be malevolent. Deception, either intentional or not, can be used in a comic or playful effect and can affect an individual’s thoughts or feelings. It takes many forms, whether it is through misinterpretation

"Much ado about nothing."

712 words - 3 pages insults and later leaves the party.Only starting from line 111 Beatrice and Benedicks conversation become the focus, as they had already previously been talking. Beatrice is a very intelligent and witty character in the play, she either doesn't realize its Benedick or most likely she wants to fool and upset him. Obviously, Benedick involves himself in this plot to understand what Beatrice thinks about him. This shows that times have not changed much

Inconstancy in Shakespeare’s Much Ado About Nothing

1423 words - 6 pages are in love with each other but keep engaging in witty arguments and “merry war” (Cook 190). The play mainly focuses on the problematic relationship between Claudio and Hero unlike that of Benedict and Beatrice which is more reliable. False reports, hearsay and rumours play a major role in the development of the play’s dual plots. This paper looks into the successive theme of inconstancy of the human nature in Shakespeare’s Much Ado About Nothing

Reputation in Much Ado About Nothing

801 words - 4 pages In Les Miserables, written by Victor Hugo, it is said “whether true or false, what is said about men often has as much influence on their lives, and particularly on their destinies, as what they do”. The society of Much Ado About Nothing by William Shakespeare, is very tight. It is a small town where every person in the city knows each other. The fact that they are all close knit makes it possible for an unscrupulous villain, like Don John, to

Shakespeare's Techniques in Much Ado About Nothing

1891 words - 8 pages Shakespeare's Techniques in Much Ado About Nothing I am going to describe the techniques used by Shakespeare in 'Much Ado About Nothing'. I am focusing on language, themes, characters, plots and sub plots as well as the play as a whole. I will also be focusing on how the modern day as well as the Elizabethan audience would respond to this play write. Shakespeare is known as one of the worlds best play writers, he has

representation of women in much ado about nothing

1568 words - 7 pages (Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy

Three types of Deception In Much Ado About Nothing

702 words - 3 pages The assertion "Deception by appearances" does apply to Much Ado About Nothing in many ways. Deception plays an important role in this book. Deception is the cause that brings about the effects of the situations. The masked dance, Benedick and Beatrice, Don John deceiving Claudio about Hero, and the Friar at the wedding are a few examples. The three types of deception that I will be classifying are beneficial, cruel, and sorrowful.One type of

Themes of Love In William Shakespeare’s Much Ado About Nothing

784 words - 4 pages In William Shakespeare’s Much Ado About Nothing love and how love works is a major theme in the play. When it comes to true love in the book i believe it is incidental or secondary to the main story in the book. My reasoning behind this idea is because none of the characters are searching for love, it is not their main priority but rather happens in result of another, bigger situation or conflict and that how true love or falling in love works

Shakespeare's Use of Deception in Much Ado About Nothing

1728 words - 7 pages Shakespeare's Use of Deception in Much Ado About Nothing In the Play ‘Much Ado About Nothing’ the role of deceit is an important one that is played to its fullest. The play is based upon deliberate deceptions and numerous schemes that are used to manipulate the thoughts of nearly every character and the characters deceive themselves by putting on a different public facade instead of showing their true feelings and

Similar Essays

The Title In Much Ado About Nothing

751 words - 3 pages Much Ado About Nothing exemplifies a kind of deliberately puzzling title that seems to have been popular in the late 1590s (compare, "As You Like It0/00). Indeed, the play is about nothing; it merely follows the relationships of Claudio and Hero, and in the end, the play culminates in the two other main characters falling in love, which, because it was an event that was quite predictable, proves to be much ado about nothing.The pronunciation of

The Character Of Beatrice In Much Ado About Nothing

2480 words - 10 pages The Character of Beatrice in Much Ado About Nothing Many would believe this to be a understated summary of the way Shakespeare presents her character in Much Ado About Nothing because Beatrice is not just a humorous character but a strong role model for both ShakespeareÂ’s time and for a modern audience defying social expectations and being equal to her male counter parts, she is the heroin of the play and even though

Much Ado About Nothing Essay

828 words - 3 pages William Shakespeare, the most famous of all English writers, has written manyworks. One such work is Much Ado About Nothing, a comedy that includes humor, love,and deceit. Several incidents in the life of the author influenced him to write this play inthe fashion that he did. These events come from his life and the point in history in whichhe lived, thus producing Much Ado About nothing.Shakespeare's life has very much to do with the style of

Much Ado About Nothing Essay

763 words - 3 pages In the course of Literature one comes across different types of plays, primarily Comedies and Tragedies. Each of these types is marked by highly distinguishing characteristics. As a result, from a thorough analysis of the play Much Ado About Nothing," by William Shakespeare, it can be concluded that it is indeed a Comedy because of its characteristics which associate it with a Comedy. These characteristics include the plays title, the use of