The Underlying Message Of Horror Essay

2007 words - 9 pages

The secluded world shaped by illusion is described as “fiction which holds the truth inside the lie” (King) in “Suffer the Little Children” and “Autopsy Room Four,” two short stories written by Stephen King. The world around us can be more than just what we perceive. In fact, illusion and misperception create the central conflict in “Suffer the Little Children” and “Autopsy Room Four.” King, who writes “with energy, drive, and a wit and grace” (Nelsonm), incorporates dialectal language or oppositional patterns of illusion and reality to effectuate the suspenseful moods of his short stories. In “Suffer the Little Children” and “Autopsy Room Four,” the tension between perception and illusion ...view middle of the document...

This sense of addiction, from when he had it, of drugs and alcohol, led him to write some of his other works. Another tragic moment in King’s life was when he was struck by a car on the highway, and he suffered a collapsed right lung, multiple fractures of his right leg, scalp laceration and a broken hip. Shortly after this accident, King wrote the first draft of the book Dreamcatcher, with a notebook and a pen (Lüsted). King has frequently been asked about the methodology of his writing to which he simply responds with how “there was nothing else he wanted to do in life” (Lüsted). Stephen King is a unique individual who contributes his past with stories which expose more than just what actually happened, and they uphold a deeper meaning.
To establish the sense of illusion and perception King bestows motifs and literary devices to heighten the reader’s anticipation of what could transpire next. This aptitude to “pour new wine from old bottles” (Contemporary Authors Online) is King testing with his own writing, and this statement also talks about how King can continue to use old ideas yet maneuver them into compelling ideas. King writes in a way not followed much before by other authors. King also uses different story forms including “interior monologues, multiple narrators and a juggling of time sequences” (Contemporary Authors Online). This technique supports King writing’s which displays the character or the narrator’s perception on the scheme or story. King also embraces a secret recipe which he integrates into his writings. King takes the reader on a roller coaster of adventures, and “draws the reader into a direct and thorough involvement with the characters and events of the story” (Contemporary Authors Online). King loves to come from the character’s perspective which is very persistent throughout Autopsy Room Four. In both short stories, King evokes a “complex set of reactions… by his matter-of-fact telling and tongue-and-cheek tone” (Twentieth-Century Young Adult Writers) which is essentially how Stephen King writes. He writes in a way that people can interpret it themselves, and also in a way where it is straight to the point and very sarcastic.
Equally, the narratives illustrate abhorrent tones and suspenseful moods. In the short story, Suffer the Little Children, there was a teacher, “Miss Sidley was her name, and teaching was her game” (King). She experienced a sense of incomprehensibility in her perception on life when she turns psychotic, driven irate by Robert, a student who revealed his “real side” to Miss Sidley. Robert has informed her that he, along with others, have an altar-evil side. He was exceedingly eerie and ferocious and he always desired to display to Miss Sidley the other side of himself. Robert disrupts the once blissful perception of Miss Sidley by threatening her reality and turning her attitude toward her pupils in an evil direction. One day she told the class that they were going to have an oral exam and...

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